Descripción
In-4. #1 Jun 1968 - #47 Apr 1969. (Complete set). Wrappers. Collaborators : Ángel Aboy (Drácula), Roberto Aranda, Carlos Basurto, Alberto Bróccoli (Histerio), Eduardo Campilongo (Ceo), Oscar Cariola (Manucho), Luis Durante (LD), Rubén Flores (Raf), Juan Gálvez Elorza (Fantasio), Roberto Góngora, Enrique Gutiérrez (Gorla), León Herman, Diego Irañeta, Carlos Loiseau (Caloi), Jorge Limura (Pan Duro), Norberto Lombardi (Lombar), Roberto López (Viuti), Antonio Mongiello (Napoleón), Jorge Palacio (Faruk), Lino Palacio (Flax, Brunetto), Miguel Pratico, Aldo Rivero, Norberto Robinot, César Robles (Selbor), Mario Suárez (Suar), Oscar Vázquez Lucio (Siulnas), Pedro Vilar y Jorge Werffeli; en el humor escrito a Aldo Cammarota (Aristócrates), Adolfo Castelo (Castel), Héctor Cerino, Armando Chulak, Jorge Colapinto (Fideofino), Carlos Duelo, Julio Gil (Pericles), Manuel Gurrea, Jorge Llopis (Remedios Orad), Marcos Martínez, Pedro Pernías (Jordán de la Cazuela), Juan Carlos Samalea (Ácido Nítrico, Gusano de Nailon) y Mario Sexer (Hipólito Pi). Ocasionalmente pueden hallarse también las firmas de Oscar Blotta (Kobló), Roberto Fontanarrosa, Daniel Giribaldi (Dangir), Jorge Sanzol, Carlos Trillo, María Elena Walsh, Among others. Juan Carlos Colombres, known by the pseudonym Landrú, was undoubtedly a central figure in Argentine humor in the second half of the twentieth century, due to his incursions into the political situation, social customs and also absurd humor, perhaps the most significant and enduring facet of his work. Landrú and other cartoonists of his time Quino, Oski, Copi received the beneficial influence of the Romanian-American artist Saul Steinberg, to transform it into very personal styles that renewed graphic humor from the 1950s. Problems with censorship continued and the threat of a new closure was permanent. Finally, in number 47, of April 30, 1969, the end of the publication was announced. This is how Landrú evoked the closure: despite our caution there were problems. Shortly after the magazine appeared, the director informed me that they had called him from the SIDE (intelligence secretary) to find out the circulation, and that he felt obliged to lie, giving a lower figure than the real one. He also asked me to consider the possibility of transforming Tío Landrú into a weekly entertainment or sports humor magazine, and I refused. The magazine was successful, but if you can't work independently and with free judgment, things don't work out. So when the contract ended I preferred to conclude the experience by saying goodbye to the editors kindly. Luckily it was like that, because after a few months they closed Primera Plana, and if Tío Landrú had continued, they would surely have blamed me once again. CodZ. N° de ref. del artículo ABE-1676396195987
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