henri matisse jazz (66 resultados)

Condición: Good. Used book that is in clean, average condition without any missing pages.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 2014 edition in near fine condition. All pages clear, no markings, binding firm, dust jacket in removable protective sleeve. Please see pictures. Paypal accepted. Any questions get in touch.

Condición: Good. Used book that is in clean, average condition without any missing pages.

Stapled softcover booklet. Condición: Very Good. 20 page exhibition booklet, January 12-February 18, 1979. Katherine Lochridge, Editor, Museum Director.

Paperback. Condición: Very Good. xviii, 146 pages, colour illustrations; 28 cm. First published, 1947. Firm binding, clean inside copy. Age toning. Richly illustrated with colour plates. *** "This version of Matisse's cut-out masterpiece Jazz is an exquisite and dazzling suite of color plates and text that, like the music it was named for, was invented in a spirit of improvisation and spontaneity." - Publisher. Size: 4to.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardbound. profusely illustrated Ilustrador. Monumental Taschen 2 Volume set of works by Matisse: one a profusely illustrated study of the artist's Cut-outs (drawing with scissors) - work Matisse produced from the 1930's to his death in 1954; the other a facsimile of the illustrated book 'Jazz' originally published in 1947 by Editions Teriade, keeping to the format of that production with 38 unbound folded folios in printed card folder and again in an illustrated cloth folder with colour plate to front; both volumes housed in cloth slipcase with colour plates laid-on to front and rear; Cut-outs volume 333pp, with countless colour and b&w illustrations, including some gate-fold; text by Xavier-Gilles Neret, chapters - Tahiti, The Dance, Verve and Jazz, Oceania, The Rosary Chapel, The Last Monumental Gouaches - bound in cream cloth boards with colour plate laid-in to front, black and red titling to spine; handsome large-format set 38 x 29.5cm; Cut-outs volume with mild foxing to boards, o.w. Very Good tight and clean throughout; Jazz volume likewise with mild foxing to boards, o.w. all folios Very Good tight bright and clean; slipcase with some mild rubbing/foxing, o.w. Very Good. slipcase. 333pp; 38 folded folios. 2 volumes Folio in Slipcase. Very Good in Very Good Slipcase Very Good in Very Good Slipcase.

Paperback. Condición: Very Good. Paperback. Pages are clean and unmarked. Covers show very minor shelving wear. Corner cut off on rear top cover.; 100% Satisfaction Guaranteed! Ships same or next business day!

Couverture souple. Condición: Très bon. REGIO 16982.COLLECTION CARNAVAL CENT NICE 1984.EXPO AU MUSEE MATISSE 22 FEVRIER AU 25 MARS 1984.

1. Auflage. kl.-8°.119, [1] S. Illustrierter Orig.-Pappband Neuwertig.

Condición: Good. Good condition. In polypropylene bag. (art, exhibitions, henri matisse, jazz) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Pappband. Condición: Gut. Erste Auflage. Edition Herder Bd. 24; 119 S.; mit farbigen Bildern; herausgegeben von Helen Roth Size: 17,9 cm.

Softcover. Yellow and blue illustrated wraps, unpaginated, many color illus. Text by Henri Matisse, translated from the French by Sophie Hawkes, with an introduction by Riva Castlemann. Shows the translated text in type and Matisse's handwritten notes in French, diagrams and color plates of his work. Nice! VG- (A few inner pages are loose; top corner is bumped, otherwise nice.).

Condición: Neu. Ein Malerbuch als Selbsterkenntnis. Lavarini untersucht Text und Bilder des Malerbuches gleichrangig und in Beziehung zueinander. Es wird deutlich, wie sehr JAZZ einen biografischen und künstlerischen Wendepunkt im Leben des Künstlers markiert. Bei der Einordnung des Malerbuches in das Umfeld der französischen Buchkunst werden Beziehungen zu einer Handschrift aus dem 11. Jahrhundert, der Apokalypse von Saint Sever, deutlich, die dem Künstler seit 1943 als Faksimiledruck vorlag. 432 Seiten mit 20 Abb., broschiert (Beiträge zur Kunstwissenschaft; Band 79/scaneg Verlag 2000). Früher EUR 43,00. Gewicht: 738 g - Softcover/Taschenbuch - Sprachen: Deutsch, Französisch.

Condición: Good. 4to. Three Stapled Sheets, Very Good. 43 Items listed.

Condición: Good. Photograph, 20 x 25.5 cm. VG with some shelf wear. Pasquale Iannetti Art Galleries photo documentation.

Condición: 2. PHOTOS SUR DEMANDE. Relie cartonnage de l'editeur. Tres bon etat, un coin legerement emousse.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. DJ has minor edgewear, otherwise in great condition.

Kein Einband. Condición: Sehr gut. Mappe mit 6 Farbtafeln. 2°. Mappe minimal berieben und angeschmutzt. Tafeln sauber. Text dreisprachig in Deutsch, Englisch und Französisch.

Gebundene Ausgabe. Condición: Gut. Mappe, 6 Bilder Minimale Lese- und Lagerspuren. Einband etwas abgegriffen, Bilder vereinzelt an den Kanten leicht geknickt. EG-F_GG Sprache: Deutsch Gewicht in Gramm: 360.

4°, cloth, dustjacket. 146 S. New book. Sprache: Englisch Gewicht in Gramm: 0.

hardcover. Condición: Very Good. Clean and complete set in large box with 47-page booklet and loose-leaf facsimile of Jazz. Hand-wrapped and packaged in cardboard.

Condición: Fine. Number of books: 1.

New York. Musem of Modern Art. 1985. 4° Unpaginated. Original coloured hardcover. Fine copy. - Beiliegt / Joint: 20 seitiger Aufastz von Gottlieb Leinz: "Jazz" von Henri Matisse. Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Hardcover. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.15.

First trade edition [facsimile of the 1947 edition], second impression; November 1983. [xviii] 146 pp., and [10] pages. Illustrated with vivid color throughout. 4to. Black cloth boards with stamped red text on front and red and white text on spine, in crisp pictorial dust jacket; near fine in blue publisher's slipcase. A near fine, beautiful copy [xviii] 146 pp., and [10] pages. Illustrated with vivid color throughout. 4to First trade edition [facsimile of the 1947 edition], second impression; November 1983.

Hardcover. Condición: Near Fine. No Jacket. 1st Edition. Magnificent oversize two-volume set including Cut-Outs and a facsimile reproduction of his seminal work, Jazz in sturdy, decorated matching slipcase. Jazz, like the original, is printed on 38 unbound sheets of high-quality paper with 102 illustrations. Cut-Outs includes black and white photographs and color plates, 275 illustrations in all, on 334 pages, 13 of which have pull-outs. The books show only the slightest evidence of having been opened. The slipcase, though has a little soiling around the edges, a few minor spots, but is still sturdy and the art work is still clean and bright. The slipcase is graded as Very Good. (Note: Photos may show magnified dust, a flash reflection, or color washout.) Paypal always welcome. We pack all our books with care and ship in cardboard boxes. Additional photos emailed upon request. This book is very heavy. For international shipping, please inquire.

Hardcover, 480 pages, ENG, 400 x 300 x 80 mm, NEW !! , 2 volumes !, Full Paged Illustrations in colour / b/w, Includes a sturdy hard cardboard box for protection ! Second volume even covered in plastic foil ! Brandnew ! ISBN 9783822830529. A perfect facsimile of Jazz, a 20th century masterpiece This two-volume edition includes a perfect facsimile of Matisse's seminal cut-out work: Jazz. At last, readers can experience Jazz as if holding the 1947 original. The reputation of Henri Matisse (1869?1954) as the most important artist of the modern era is rivaled only by Picasso?who himself said, "All things considered, there is only Matisse." Towards the end of his monumental career as a painter, sculptor, and lithographer, an elderly, sickly Matisse was unable to stand and use a paintbrush. So at almost 80 years of age, he developed a new technique: he drew shapes on colored paper, cut them out and pasted them together. These gouaches decoup?es (gouache cut-outs) represented a revolution in modern art, yet their simplicity was dismissed by many critics as the folly of a senile old man. Later critics realized that Matisse had found a brilliant solution to the age-old conflict between line and color?one that would profoundly influence generations of artists to come. Printed in exactly the same colors, using paper and inks similar to the 1947 edition, the facsimile volume allows readers to experience Jazz in its original, unbound form. * Printed in 18 colors on a small offset press, 4 pages at a time, to obtain the highest fidelity to the original * Printed on Old Mill in 190 g/m from Italian paper mill Fedrigoni. This paper is of archival quality and has a felt-like softness, much like handmade paper * As with the original, this reprint is unbound and folded in signatures of 4 pages. It is protected by a French folded jacket and a hard-backed cover The second volume provides a thorough historical context to Matisse's cut-outs, tracing their genesis in his 1930 trip to Tahiti, through to his final years in Nice. Also included are other pivotal works from his later career, including his contributions to Verve magazine and his exquisite decoration of the Vence Chapel. Includes rare and historic photographs by Matisse taken in Tahiti, as well as photos of Matisse by Henri Cartier-Bresson, Brassa?, and the filmmaker Murnau. The text is supplemented by quotations from Matisse, Picasso, E. T?riade (the publisher of Jazz and Verve), the poets Louis Aragon, Henri Michaux, and Pierre Reverdy, and Matisse's son-in-law, Georges Duthuit. 7000 g.

Relié. 2 volumes reliés toile crème avec illustration montée dans un étui assorti. Le volume Jazz est un fac-similé de l'édition de 1947. Imprimé sur 34 feuilles pliées volantes sous emballage papier. Planches en couleurs et texte en noir et blanc. Le volume Découpés est illustré de planches en couleurs (certaines dépliantes) et de photographies en noir et blanc. 334 pages. 39,5 x 29,5 cm. Texte en Francais, Un très bel ensemble, ISBN 9783822851951. Un ouvrage qui fait revivre l?oeuvre maîtresse de la période des gouaches découpées de Matisse : Jazz. Ses lecteurs vont à la rencontre de Jazz comme s?il s?agissait de l?édition originale de 1947. Henri Matisse (1869-1954) avait pour seul concurrent au titre de plus grand artiste moderne, Picasso, qui disait: "Tout bien considéré, il n?y a que Matisse." Sur la fin d?une carrière de peintre, sculpteur et lithographe véritablement prodigieuse, Matisse fut terrassé par la maladie et ne fut plus en mesure de tenir sur ses jambes et de se servir d?un pinceau très longtemps. Alors qu?il approchait des 80 ans, il mit au point une technique consistant à découper directement aux ciseaux dans du papier de couleur vive. Ce qui reçut le nom de gouaches découpées constitua une révolution dans l?art moderne. A l?époque, de nombreux critiques virent dans cette oeuvre la manifestation de la folie d?un vieillard sénile, tandis que de nos jours on pense communément qu?en découpant avec des ciseaux des formes dans du papier, Matisse avait brillamment résolu dans un seul geste l?antagonisme classique entre le dessin et la couleur. Cette édition en deux volumes comprend un fac-similé parfait de l'?uvre découpée phare de Matisse : Jazz. Enfin, les lecteurs peuvent découvrir le Jazz comme s?ils tenaient l?original de 1947. La réputation d'Henri Matisse (1869-1954) en tant qu'artiste le plus important de l'ère moderne n'a d'égal que celle de Picasso, qui a lui-même déclaré : « Tout bien considéré, il n'y a que Matisse ». Vers la fin de sa carrière monumentale de peintre, sculpteur et lithographe, Matisse, âgé et malade, était incapable de se tenir debout et d'utiliser un pinceau. Alors à presque 80 ans, il développe une nouvelle technique : il dessine des formes sur du papier de couleur, les découpe et les colle ensemble. Ces gouaches découpées représentaient une révolution dans l'art moderne, mais leur simplicité a été rejetée par de nombreux critiques comme la folie d'un vieil homme sénile. Les critiques ultérieurs se rendirent compte que Matisse avait trouvé une solution brillante au conflit séculaire entre la ligne et la couleur ? une solution qui allait profondément influencer les générations d?artistes à venir. 0 g.