Publicado por Steidl Verlag, in association with Edition 7L, Göttingen, Germany, 2001
ISBN 10: 3882433019 ISBN 13: 9783882433012
Idioma: Inglés
Librería: Vincent Borrelli, Bookseller, Albuquerque, NM, Estados Unidos de America
Original o primera edición
EUR 1.492,71
Convertir monedaCantidad disponible: 1 disponibles
Añadir al carritoSoft cover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. First edition, first and only printing. Limited edition of 1500 hand-numbered copies (this being #14/1500; edition number noted on bookplate pasted to inside of box lid). Soft cover (all volumes). A collection of six facsimile reprints and an editor's book (all in stiff wrappers), contained in a custom-designed black lacquered wooden box with metal latches (the set of books is wrapped in fine black Japanese paper and bound by 2 wide rubber bands with the title printed). Edited by Christoph Schifferli. Essay (in English and Japanese) by Akihito Yasumi. Designed by Gerhard Steidl and Karl Lagerfeld. Total 892 pp., with 763 black and white reproductions (all six volumes). The box is 10-1/4 (width) x 13 (length) x 4 (height) inches. Out of print (sold out shortly after release). Very scarce. The Japanese Box contains the following collection of 6 facsimile reprints, along with an editor's book that includes translations of the texts: 1) Provoke #1: 68 pp., with 48 black and white reproductions; 2) Provoke #2: 108 pp., with 54 black and white reproductions; 3) Provoke #3: 110 pp., with 55 black and white reproductions; 4) Nobuyoshi Araki: Sentimental Journey: 106 pp., with 106 black and white reproductions; 5) Daido Moriyama: Shashin yo sayonara (Bye, bye photography, dear / Farewell photography): 308 pp., with 308 black and white reproductions. This title is signed in English and kanji in black ink inside the front cover by Moriyama; and 6) Takuma Nakahira: For a Language to Come: 192 pp., with 192 black and white reproductions. As New (in publisher's original packing and box; opened for inspection and to secure books with additional packing material). From Nobuyoshi Araki: "I was jealous of Provoke, especially Moriyama's nudes in the second issue. (.) I wanted to join them but I wasn't allowed (.) So I worked alone." From the publisher: "In 1968, a magazine with the programmatic title "Provoke" was published in Tokyo by the photographer and writer Takuma Nakahira, the art critic Koji Taki, and other members. Investigating the relationship between photography and text, and suggesting new ways for photography to depict Japanese society, the magazine was an artistic and philosophical manifesto, responding to the upheavals of the late sixties. The participating photographers, among them Daido Moriyama (who joined "Provoke" with the second issue) searched for a radically new photographic language, as is reflected in the titles of their books: titles like Moriyama's "Bye, Bye Photography," and Nakahira's "For a Language to Come"; publications that were turning points in postwar Japanese photography. This spectacular limited edition collection of facsimile reprints of six legendary Japanese photography publications from the 1960s and 1970s will undoubtedly be a highly sought-after collector's item. Included are the first three issues of "Provoke" and three books that were inspired by it. Originally published in extremely limited editions ("Provoke" had a print run of 1,000 copies), these publications are very rare today and almost impossible to find. Among the photographers included are Daido Moriyama, Nobuyoshi Araki, Takuma Nakahira, Yutaka Takanashi, and Koji Taki. This set comes in a black wooden collector's box, with an editor's book that includes translations of the texts. A must-have for photography lovers.".
Publicado por Edition 7L/Steidl, Paris/Gottingen, Germany, 2001
ISBN 10: 3882433019 ISBN 13: 9783882433012
Idioma: Inglés
Librería: Craig Olson Books, ABAA/ILAB, Belfast, ME, Estados Unidos de America
EUR 1.130,84
Convertir monedaCantidad disponible: 1 disponibles
Añadir al carritoWraps. Condición: Fine. Limited Edition. This production of "The Japanese Box" was conceived of by printer Gerhard Steidl and fashion designer Karl Lagerfeld to celebrate the avant-garde of Japanese photography in the late 1960s and early 1970s. All of the work is in black and white. A vanguard of that movement was the publication of "Provoke" magazine by Takuma Nakahira in 1968 and represented by facsimiles of the first three issues. English translations of the publications: "Provoke" No. 1, (1968); "Provoke" No. 2, (1969); "Provoke" No. 3, (1969); "For a Language to Come" (1970) by Takuma Nakahira; "Sentimental Journey" (1971) by Nobuyoshi Araki; and "A Farewell to Photography" (1972)by Daido Moriyama. Produced in an edition of 1500 copies, this is copy #644. Black wooden box containing 6 reproduced publications by noted photographers Daido Moriyama, Nobuyoshi Araki, Takuma Nakahira, Yutaka Takanashi, and Koji Taki. Three issues of Provoke Magazine as well as three individual catalogues. Black paper wrapper that enclosed books has tears from transport, two red rubber bands supple and intact, one printed with "The Japanese Box" in black. Housed in original shipping box.
Publicado por Steidl Verlag, in association with Edition 7L, Göttingen, Germany, 2001
ISBN 10: 3882433019 ISBN 13: 9783882433012
Idioma: Inglés
Librería: Vincent Borrelli, Bookseller, Albuquerque, NM, Estados Unidos de America
Original o primera edición Ejemplar firmado
EUR 1.940,53
Convertir monedaCantidad disponible: 1 disponibles
Añadir al carritoSoft cover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. First edition, first and only printing. "Shashin yo sayonara" is signed (in kanji and English) in black marker on the first page by Moriyama. Limited edition of 1500 hand-numbered copies (this being #14/1500; edition number noted on bookplate pasted to inside of box lid). Soft cover (all volumes). A collection of six facsimile reprints and an editor's book (all in stiff wrappers), contained in a custom-designed black lacquered wooden box with metal latches (the set of books is wrapped in fine black Japanese paper and bound by 2 wide rubber bands with the title printed). Edited by Christoph Schifferli. Essay (in English and Japanese) by Akihito Yasumi. Designed by Gerhard Steidl and Karl Lagerfeld. Total 892 pp., with 763 black and white reproductions (all six volumes). The box is 10-1/4 (width) x 13 (length) x 4 (height) inches. Out of print (sold out shortly after release). Very scarce. The Japanese Box contains the following collection of 6 facsimile reprints, along with an editor's book that includes translations of the texts: 1) Provoke #1: 68 pp., with 48 black and white reproductions; 2) Provoke #2: 108 pp., with 54 black and white reproductions; 3) Provoke #3: 110 pp., with 55 black and white reproductions; 4) Nobuyoshi Araki: Sentimental Journey: 106 pp., with 106 black and white reproductions; 5) Daido Moriyama: Shashin yo sayonara (Bye, bye photography, dear / Farewell photography): 308 pp., with 308 black and white reproductions. This title is signed in English and kanji in black ink inside the front cover by Moriyama; and 6) Takuma Nakahira: For a Language to Come: 192 pp., with 192 black and white reproductions. As New, opened for inspection (slight rubbing to the Nakahira dust jacket, endemic to the edition, due to shifting in transit). From Nobuyoshi Araki: "I was jealous of Provoke, especially Moriyama's nudes in the second issue. (.) I wanted to join them but I wasn't allowed (.) So I worked alone." From the publisher: "In 1968, a magazine with the programmatic title "Provoke" was published in Tokyo by the photographer and writer Takuma Nakahira, the art critic Koji Taki, and other members. Investigating the relationship between photography and text, and suggesting new ways for photography to depict Japanese society, the magazine was an artistic and philosophical manifesto, responding to the upheavals of the late sixties. The participating photographers, among them Daido Moriyama (who joined "Provoke" with the second issue) searched for a radically new photographic language, as is reflected in the titles of their books: titles like Moriyama's "Bye, Bye Photography," and Nakahira's "For a Language to Come"; publications that were turning points in postwar Japanese photography. This spectacular limited edition collection of facsimile reprints of six legendary Japanese photography publications from the 1960s and 1970s will undoubtedly be a highly sought-after collector's item. Included are the first three issues of "Provoke" and three books that were inspired by it. Originally published in extremely limited editions ("Provoke" had a print run of 1,000 copies), these publications are very rare today and almost impossible to find. Among the photographers included are Daido Moriyama, Nobuyoshi Araki, Takuma Nakahira, Yutaka Takanashi, and Koji Taki. This set comes in a black wooden collector's box, with an editor's book that includes translations of the texts. A must-have for photography lovers." Signed by Author.
Publicado por Edition 7L, Paris, 2001
ISBN 10: 3882433019 ISBN 13: 9783882433012
Librería: Arcana: Books on the Arts, Culver City, CA, Estados Unidos de America
Miembro de asociación: ESA
EUR 1.293,68
Convertir monedaCantidad disponible: 1 disponibles
Añadir al carritoWrappers in a Wooden Box. Condición: As New. Estado de la sobrecubierta: As New. First Edition 1/1500. 68 + 100 + 110 + 192 + 108 + 310 + 32pp, profusely illustrated in b&w and color. Text in Japanese and English. Designed by Karl Lagerfeld and Gerhard Steidl. The "Japanese Box" reproduces in facsimile six publications by a remarkable and influential group of Japanese photographers and writers whose work was a response to the climate of political unrest in Tokyo around 1968. The publication includes all three issues of "Provoke" magazine issued between 1968 and 1969, the landmark stand alone photobooks "For a Language to Come" by Takuma Nakahira (1970), "Sentimental Journey" by Nobuyoshi Araki (1971), and "A Farewell to Photography" by Daido Moriyama (1972), along with a brief history and overview volume authored by the project's editor, Christoph Schifferli. The seven publications are enclosed in heavy Japanese handmade paper, banded with printed elastic bands, and contained in a black wooden box with title on the hinged lid, exposed joinery, and dual clasps. A brand new, unused, example of this remarkable undertaking limited to one thousand, five hundred copies whose paper and rubber band bindings are partially perished - as usual, still in the publisher's printed cardboard shipping carton. Photography Monographs.