veneziano agostino (34 resultados)

Incisione originale al bulino di mm. 264 x 395, rifilato entro la battuta. Leggero contrasto cromatico. Quest'opera, incisa da Raimondi, probabilmente in collaborazione con Agostino Veneziano, riprende un disegno di Raffaello, che a sua volta si rifaceva ad un opera di Perin del Vaga sita a Roma. Bibliografia: H. Delaborde, Marc-Antoine Raimondi, étude historique et critique suivie d'un catalogue raisonne des oevres du maitre, Parigi, 1888, pp. 279-280, n. 1; Incisori bolognesi ed emiliani del sec. XVI, schede di S. Ferrara, revisione di G. Gaeta Bertelà, Bologna, 1975, n. 322a; K. Oberhuber, Illustrated Bartsch, 26, New York, 1978, p. 19, n. 10-I (12); S. Massari in RAPHAEL INVENIT. Stampe da Raffaello nelle collezioni dell'Istituto Nazionale per la Grafica, catalogo di G. Bernini Pezzini, S. Massari, S. Prosperi Valenti Rodinò, Roma, 1985, pp. 75-76, Logge, 24; A. Gnann in Roma e lo stile classico di Raffaello, 1515-1527, catalogo della mostra a cura di K. Oberhuber (Mantova-Vienna 1999), Milano 1999, p. 170, n. 107; E. Rossoni, "Stampe bolognesi di Marc'Antonio Raimondi intagliatore". Ricostruzione del secondo volume della raccolta di stampe della Pinacoteca di Bologna, in "Aperto. Bollettino del Gabinetto dei Disegni e delle Stampe della Pinacoteca Nazionale di Bologna", 2, 2009 (www.aperto.gdspinacotecabo.it). (EN) Original engraving measuring mm. 264 x 395, trimmed within the edge. Slight color contrast. This work, engraved by Raimondi, probably in collaboration with Agostino Veneziano, takes up a drawing by Raphael, which in turn was based on a work by Perin del Vaga located in Rome. Bibliography: H. Delaborde, Marc-Antoine Raimondi, étude historique et critique suivie d'un catalogue raisonne des oevres du maitre, Parigi, 1888, pp. 279-280, n. 1; Incisori bolognesi ed emiliani del sec. XVI, schede di S. Ferrara, revisione di G. Gaeta Bertelà, Bologna, 1975, n. 322a; K. Oberhuber, Illustrated Bartsch, 26, New York, 1978, p. 19, n. 10-I (12); S. Massari in RAPHAEL INVENIT. Stampe da Raffaello nelle collezioni dell'Istituto Nazionale per la Grafica, catalogo di G. Bernini Pezzini, S. Massari, S. Prosperi Valenti Rodinò, Roma, 1985, pp. 75-76, Logge, 24; A. Gnann in Roma e lo stile classico di Raffaello, 1515-1527, catalogo della mostra a cura di K. Oberhuber (Mantova-Vienna 1999), Milano 1999, p. 170, n. 107; E. Rossoni, "Stampe bolognesi di Marc'Antonio Raimondi intagliatore". Ricostruzione del secondo volume della raccolta di stampe della Pinacoteca di Bologna, in "Aperto. Bollettino del Gabinetto dei Disegni e delle Stampe della Pinacoteca Nazionale di Bologna", 2, 2009 (www.aperto.gdspinacotecabo.it). 16mo secolo.

Agostino Veneziano after Raphael Ilustrador. Death of Cleopatra (or Ariadne)Made by an anonymous engraver after Agostino Veneziano after Raphael.Medium: Engraving on hand laid (verge) paper.Sheet size: 12.9 x 8.9 cm (5.08 x 3.5 inch).DEATH-CLEOPATRA-ARIADNE | EXPO-ITALIANBACKGROUND INFORMATIONSource: unknown, to be determined.Reference: Copy in reserve after B.198.Biography artist: Agostino Veneziano ("Venetian Agostino"), whose real name was Agostino de' Musi (c.1490-c.1540), was an important and prolific Italian engraver of the Renaissance.Raffaello Sanzio da Urbino (1483-1520), now generally known in English as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. Condition: good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

No Binding. Condición: Very Good. Agostino Veneziano, Portrait of Socrates ? Drypoint on paper 310 mm x 212 mm Very fine print. Plate XXXII from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

No Binding. Condición: Very Good. Agostino Veneziano, Portrait of Miltiades Drypoint on paper 310 mm x 212 mm Very fine print. Plate II from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

No Binding. Condición: Very Good. Agostino Veneziano, Portrait of Lamas ? Drypoint on paper 310 mm x 212 mm Very fine print. Plate XV from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

No Binding. Condición: Very Good. Agostino Veneziano, Portrait of Thales of Miletus Drypoint on paper 310 mm x 212 mm Very fine print. Plate I from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

No Binding. Condición: Very Good. Agostino Veneziano, Double Portrait Silvanus and Faunus ? Drypoint on paper 310 mm x 212 mm Very fine print. corner lower wright missing, Plate L from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

No Binding. Condición: Very Good. Agostino Veneziano, Portrait of God Pan Drypoint on paper, 3cm tear on the margin upper left, 310 mm x 212 mm Very fine print. Plate XLVI from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

No Binding. Condición: Very Good. Agostino Veneziano, Portrait head of a Satyr Drypoint on paper 310 mm x 212 mm Very fine print. Plate XLIV from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

No Binding. Condición: Very Good. Agostino Veneziano, Herms of Homer and Menandros Drypoint on paper 310 mm x 212 mm Very fine print. Plate XVI from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

No Binding. Condición: Very Good. Very Good. Agostino Veneziano, Herms Porcius Cato and Aristogiton on paper 310 mm x 212 mm Very fine print. Plate XVII from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

No Binding. Condición: Very Good. Very Good. Agostino Veneziano, Herms of Xenocrates and Maximus ? on paper 310 mm x 212 mm Very fine print. Plate XIX from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

No Binding. Condición: Very Good. Agostino Veneziano, Double herm panathenaic Drypoint on paper 310 mm x 212 mm Very fine print some skin glue stains in the margins. Plate LII from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano.

No Binding. Condición: Very Good. Agostino Veneziano, Double herm of god Dionysus young and mature Drypoint on paper 310 mm x 212 mm Very fine print. Plate LXIII from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

No Binding. Condición: Very Good. Agostino Veneziano, Portrait of Zeus-Ammon Drypoint on paper 310 mm x 212 mm Very fine print. Plate XLVIII from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

No Binding. Condición: Very Good. Agostino Veneziano, Herm panathenaic on paper 310 mm x 212 mm Very fine print. Plate XLIX from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

No Binding. Condición: Very Good. Agostino Veneziano, Portrait of Diogenes Drypoint on paper 310 mm x 212 mm Very fine print. Plate XII from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

No Binding. Condición: Very Good. Agostino Veneziano, Portrait of Herodotus Drypoint on paper 310 mm x 212 mm Very fine print. Plate III from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

No Binding. Condición: Very Good. Agostino Veneziano, Portrait of Alexander the Great Drypoint on paper 310 mm x 212 mm Very fine print. Plate XXXVIII from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

No Binding. Condición: Very Good. Condition: Fine. Agostino Veneziano, Portrait of Karneades Drypoint on paper 310 mm x 212 mm Very fine print. Plate XIV from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

No Binding. Condición: Good. Agostino Veneziano, Portrait of Theophrastus Drypoint on paper 310 mm x 212 mm Very fine print. corner lower wright missing, Plate XIII from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

No Binding. Condición: Very Good. Double-headed bust of Thucydides and Herodotus Agostino Veneziano, Portrait of Thucydides Drypoint on paper 310 mm x 212 mm Very fine print. Plate IV from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

No Binding. Condición: Very Good. Agostino Veneziano, Portrait of Euripides Drypoint on paper 310 mm x 212 mm Very fine print. Plate V from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

No Binding. Condición: Near Fine. Agostino Veneziano, Portrait of Socrates In Amphitheatro Vaticano. Drypoint on parer 310 mm x 212 mm Very fine print. Plate VI from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

No Binding. Condición: Near Fine. Agostino Veneziano, Portrait of Lysias - Drypoint on parer 310 mm x 212 mm - Very fine print. - Plate VII from Inlustrium Viror. ut exstant in Urbe expressi vultus Aquiles Estaço, Inlustrium Viror. ut exstant in Urbe expressi vultus, Roma, 1569 The Portuguese humanist Aquiles Estaço (Achille Stazio) (1524 - 1581) was the author of one of the first collections dedicated to ancient iconography. The volume contains 52 tables related to as many herm-portraits in marble, mostly ancient, depicting famous characters on a neutral background and shaded. The Latin caption shows the name of the collection. Despite having no signature, it is generally believed that the plates and the title page are the work of the engraver Agostino Musi, called Agostino Veneziano (1490 circa - post 1536).

Italia, 1516. Grabado. (288 x 218)mm. Primera edición, único estado. Extraordinario grabado del artista italiano del Renacimiento Agostino Veneziano (1490-1536) sobre invención de Andrea del Sarto representando a Cristo sostenido por tres ángeles, el de la derecha se arrodilla sobre el tocón de un árbol. Inscripción: "AV 1516" firmado en una tableta en la parte inferior derecha. El British Museum no posee ninguna impresión original de este rarísimo grabado. Agostino Veneziano, cuyo nombre original era Agostino Musi, (1490?1540) fue un grabador italiano del Renacimiento quien, al igual que otros grabadores como Marco Dente y Bernardo Daddi, se engloba en el círculo de artistas que trabajaron a la sombra de Marcantonio Raimondi, grabador predilecto de Rafael Sanzio. Como ellos, se especializó en el grabado de reproducción para surtir al creciente mercado de estampas de los grandes del Renacimiento. 288x218mm. (11¼x8½").

Roma, 1515-1525. (341 x 466)mm. Aguafuerte. Inscripción: 'AV' firmado en una tableta en la parte inferior derecha. 'La batalla con el machete'; batalla entre los romanos dirigidos por Escipión el Africano y los catagineses a pie y a caballo ante una ciudad en llamas. 341x466mm. (13½x18¼").

Condición: ottimo. Bel bulino, possibile primo stato precedente a quello con l'indirizzo di Antonio Salamanca. In una stanza Ifigenia con una fiaccola e due prigionieri, dalla tragedia di Euripide. Ottima impressione in ottimo stato di conservazione. Formato: 255x195mm.

Condición: buona. Bulino. San Pietro a destra rivolto verso il mago Elima a sinistra, seduto al centro il proconsole romano Sergio, sul base del seggio l'iscrizione. Bella prova in buono stato di conservazione. Formato: 257x340mm.

Condición: ottimo. Bulino. Bella incisione a bulino che rappresenta l'episodio del miracolo della palma durante la fuga in Egitto. Impressione molto buona in ottimo stato di conservazione. Formato: 275x202mm.