marcantonio raimondi (74 resultados)

Condición: New. In.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.01.

Condición: New. In.

Condición: Fair. Acceptable condition. No Dust Jacket The Illustrated Bartsch, No. 26. (Italian Art, Engraving) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

No Binding. Condición: Very Good. Engraved By Thomson Ilustrador. A fine steel engraved portrait. ca 1850. Mounted and ready to frame. An excellent opportunity to purchase this splendid portrait of this famous personage. At Rome, where he worked from 1510, he was chiefly engaged in engraving Raphael's works; and he is reckoned the best amongst the engravers of the great painter.

No Binding. Condición: Very Good. A fine original steel engraving. ca. 1880 Mounted and ready to frame. An excellent opportunity to purchase a portrait of this eminent personage.

No Binding. Condición: Very Good. Engraved By Mollison Ilustrador. A fine steel engraving. ca. 1850. Mounted and ready to frame. A fine opportunity to purchase a portrait of this eminent personage. Italian engraver, first a goldsmith. Known for engraving Raphael's works.

No Binding. Condición: Very Good. Engraved By Thomson Ilustrador. A fine steel engraved portrait. ca 1850. Mounted and ready to frame. An excellent opportunity to purchase this splendid portrait of this famous personage. At Rome, where he worked from 1510, he was chiefly engaged in engraving Raphael's works; and he is reckoned the best amongst the engravers of the great painter.

[32] pp.; 22.9 x 15.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held March 2 - April 15, 1973. Curated and with text by Richard S. Field in collaboration with Wesleyan Students including Jeffrey Deitch in one of his earliest curatorial efforts, who along with fellow students Rosemary Rodgers, Puffin D'Oench, and John Spike wrote additional text. Artists include Albrecht Dürer, Cristofano Robetta, Andrea Mantegna, Marcantonio Raimondi, Rembrandt van Rijn, Francisco de Goya, Edouard Manet, Jean François Millet, Félix Buhot, Théodore Géricault, Anders Zorn, Rudolphe Bresdin, Eduardo Paolozzi, and Andy Warhol ("Silver and Gold Marilyn" from the Portfolio "Ten Marilyns" was on display). Text only, does not include any illustrations. Good. Moderate rubbing of covers and rubbing of cover edges. On recto the word "prints" has been colored in with yellow ink and the two astericks have been colored in with red ink. The year is written in black ink on title page, contents otherwise clean and unmarked.

83 S. mit Abb. Gutes Exemplar. Sprache: Deutsch 4°, Orig.-Leinen im Orig.-Schuber.

28 x 24 cm 240 pp with colour and b&w illustrations throughout. Wrappers, inscribed copy, fine. Catalogue to an exhibition at the Whitworth.

Hardcover. Condición: Very Good. 8vo, hardcover. No dj. Vg condition. Covers slightly foxed; binding tight, contents clean. 15 pp., + 45 b&w plates, mostly of Marcantonio's engravings, but also including works by other 16th. Century Italian artists. Text in French.

No Binding. Condición: Very Good. An original antique engraved portrait. Mounted/matted and ready to frame. Attractive, decorative and unusual. c. 1880.

Paperback. Condición: New. In shrink wrap. Looks like an interesting title!

12mo. pp. 15 + illus. French text. 66 b/w illus. biblio. boards (institutional bookplate on ffep, spine browned with some wear).

Condición: Gut. Bildbereich: 30,2 x 24 cm. Blattgröße: 39 x 29,8 cm. *Marcantonio Raimondi (ca.1475-1534) war ein italienischer Kupferstecher der Renaissance. Sprache: Deutsch Gewicht in Gramm: 800 Blattrand unten mit kleinen Randläsuren, 2 davon unterlegt.

Rilegato. Condición: ottimo. sovraccoperta. LXXIV tavole in b/n Ilustrador. prima edizione. Scelte e annotate da Antony de Witt. Formato 32X44Num Pagine 12 + le tavole rilegato in tela editoriale con sovracoperta.

Paperback. Condición: Brand New. 160 pages. 7.75x6.00x0.40 inches. This item is printed on demand.

Condición: molto buono. Incisione a bulino mm 417x290. Bella impressione nel I stato di III, avanti gli indirizzi degli stampatori Salamanca e De Rossi. Dell'incisione, tratta da un disegno di Raffaello conservato a Chatsworth, esiste una replica fedele di Marco Dente da Ravenna (TIB 26/14, 210). Ottima impressione stampata con inchiostrazione brillante e ben contrastata, sebbene lievemente rifilata: la linea di riquadro si intravede in qualche punto. Scena grandiosa e complessa.La fama di Marcantonio (S.Andrea in Argène 1480 - Bologna prima del 1534) fu all'epoca tale che viene così chiamato più spesso che con il cognome. Formatosi nell'ambiente umanistico bolognese, si perfezionò dal niello all'incisione a Venezia (1506), dove tra l'altro traspose a bulino le xilografie della Vita della Vergine di Dürer, e due anni dopo a Firenze, indi a Roma dal 1510, dove fu introdotto nell'ambiente antiquario. Dopo l'incontro con Raffaello, incise e diffuse insieme ai suoi allievi un gran numero di suoi disegni e affreschi (Lucrezia, la Strage degli Innocenti, il Morbetto, il Giudizio di Paride, il "Quos ego" tra le altre), raggiungendo col tratto nuove possibilità di tono e chiaroscuro. Le sue composizioni autonome armonizzano elementi tratti da varî artisti e presentano spesso elementi fantastici, come l'Incendio sul lago, noto come Sogno di Raffaello, e "Lo Stregozzo", che porta la sigla di uno dei suoi allievi, Agostino Veneziano. Incise anche da Giulio Romano (fu coinvolto in uno scandalo di stampe licenziose tratte da suoi disegni) e da B. Bandinelli. Bartsch, n. 209; Delaborde, p. 291, n. 43; Massari, p. 236, n. 1; Bertelà, n. 396. Book.

Condición: molto buono. Foglio inciso a bulino mm. 227x112, stato unico. In basso a destra il monogramma MAF, nell'angolo sinistro in basso la numerazione 5. Bella prova, ben inchiostrata e ricca di contrasto nell'unico stato conosciuto, è impressa su carta databile ai primi decenni del Cinquecento,  priva di filigrana, piccolissimi margini, in ottimo stato di conservazione. Fa parte della serie delle Sette Virtù, Teologali e Cardinali. La figura allegorica è ritratta con una lieve torsione del corpo verso sinistra, che mette in mostra le redini appoggiate sul braccio sinistro con un capo stretto nella mano. E' quindi quasi in controparte rispetto alla stessa allegoria incisa da Agostino, e priva del putto. L'opera è tratta da un'invenzione proveniente dall'officina raffaellesca, eseguita probabilmente verso il 1523 da Baldassare Peruzzi e Giulio Romano. La fama di Marcantonio (S.Andrea in Argène 1480 - Bologna prima del 1534) fu all'epoca tale che viene così chiamato più spesso che con il cognome. Formatosi nell'ambiente umanistico bolognese, si perfezionò dal niello all'incisione a Venezia (1506), dove tra l'altro traspose a bulino le xilografie della Vita della Vergine di Dürer, e due anni dopo a Firenze, indi a Roma dal 1510, dove fu introdotto nell'ambiente antiquario. Dopo l'incontro con Raffaello, incise e diffuse insieme ai suoi allievi un gran numero di suoi disegni e affreschi (Lucrezia, la Strage degli Innocenti, il Morbetto, il Giudizio di Paride, il "Quos ego" tra le altre), raggiungendo col tratto nuove possibilità di tono e chiaroscuro. Le sue composizioni autonome armonizzano elementi tratti da varî artisti e presentano spesso elementi fantastici, come l'Incendio sul lago, noto come Sogno di Raffaello, e "Lo Stregozzo", che porta la sigla di uno dei suoi allievi, Agostino Veneziano. Incise anche da Giulio Romano (fu coinvolto in uno scandalo di stampe licenziose tratte da suoi disegni) e da B. Bandinelli.  Bibliografia: Bartsch, n. 390, De La Borde, n. 150; Raphael Invenit, p. 263; Ferrara-Bertelà, n. 432. Book.

0. Sprache: Deutschu.

Leather Bound. Condición: New. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1853. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages: - 67, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 67.

0. Sprache: Deutschu.

En feuille. Condición: Bon. édition originale. Copie inversée d'après Raimondi. Petites marges. D'après un dessin de Raphaël. Inscription à l'encre, au verso : À Paris, chez Naudet marchand d'estampes au Louvre, 1814. Bartsch XIV, p.363, 489 B : copie en contre-partie très bien gravée par un artiste anonyme. 30,5 x 17,2 cm.

Condición: discreta. Bulino. Davide nell'atto di decapitare Golia mentre i soldati filistei scappano. L'incisione riporta l'exudit dello stampatore Antonio Salamanca, ma anche se lacunosa, per essere stato rifilato il bordo inferiore, una scritta la riferirebbe all'edizione di Carlo Losi del 1773. Discreta prova in discrete condizioni Formato: 260x395mm.

Incisone a bulin, mm. 220x110, rifilata alla battuta. Incisa dal Raimondi probabilmente su invenzione di Raffaello, come attestato già da Vasari. Acquaforte fa parte della serie delle sette Virtù teologali e cardinali rappresentate entro nicchie. L'A. curò l'interesse per l'incisione tedesca, unitamente a motivi commerciali, lo spinse a tradurre su rame numerose xilografie di Albrecht Drer.

circa 29,6 x 16,4 cm (nur Platte). 1 Blatt 33,3 x 20,3 cm (ganzes Blatt mit Rand) "Bartsch XIV, 193, 489, Copie ; Nagler XIII, 505, 372, B: "Die gegenseitige, ebenfalls sehr gute Kopie hat das leere Täfelchen". - Seitenverkehrte Kopie eines unbekannten Stechers nach Raimondis Entwurf für ein Weihrauchgefäss. Sehr elegante Arbeit auf einer flachen Basis, deren Ecken in Bocksköpfe auslaufen. Das schlanke Gefäss mit zahlreichen, teils figürlichen Verzierungen wird von Karyatiden, jungen Frauen in antiken Gewändern, gestützt. " - Ganz minimal fleckig, kaum merkliche Knickchen, sonst gut erhalten, wenig nachgedunkelt, schöner Abzug.

LeatherBound. Condición: New. LeatherBound edition. Condition: New. Reprinted from 1550 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 162 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 162.

LeatherBound. Condición: New. LeatherBound edition. Condition: New. Reprinted from 1626 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 203 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 203.

LeatherBound. Condición: New. LeatherBound edition. Condition: New. Reprinted from 1632 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 146 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 146 Language: Italian.