jules pascin (163 resultados)

Condición: Good. 1st Edition. Used book that is in clean, average condition without any missing pages.

Pamphlet. Condición: Good. Jan. 5 - Feb. 7, 1959; Good to VG overall, interior is VG with no marks and minor shelfwear; Pamphlet; art gallery catalog.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.65.

Condición: Fair. *Price HAS BEEN REDUCED by 10% until Monday, April 28 (SALE ITEM)* Zweite Auflage, reprints the 1910 Pan-Presse edition but the illustrations are less sharp and aside from the cover none of them are color; 94 pp., illustrated throughout; original light boards badly worn with long tear from bottom margin, general age toning, working copy only. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Condición: Very Good. unmarked, light shelfwear-NICE Standard-sized.

Paperback. Condición: Very Good. First Ediiton. This is a twelve page stapled booklet. The cover has an inch crase and some minor surface wear.

Pamphlet. Condición: Used: Good. Nov. 14 - Dec. 24, 1955; there is a paperclip with a note to you from Klaus Perls thanking you for the loan of your painting to the gallery; Good to VG with minor shelfwear; closer to the VG side on that scale; binding is tight and pages crisp. 12 black/white reproductions.

Paperback. Condición: Fine. 12 pages, 23 illustrations, mostly in colour. A Fine copy.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Good. Pascin, Jules Ilustrador. JULES PASCIN'S CARIBBEAN SKETCHBOOK, with introduction by John Palmer Leeper, 107 mainly B/W sketches with eight in color, hardcover with unclipped dust jacket, 1964. BOOK CONDITION: near fine. The text block and illustrations are in fine condition, with no tears, dogears, or marks. There is no bookplate or signature of a prior owner. Not a library book or remainder. The tan cloth boards are in near fine condition (tiny bump of upper righthand corner). The dust jacket is in good condition (age-toning inside, tiny spots on front and back, white circle on front where price tag was affixed). 10 x 9, 184 pages, 26 ounces XX [From the dust jacket flaps] Jules Pascin (1885 - 1930) stands, like his friend Modigliani, in the great tradition of the romantic, bohemian artist. A charming, lavish host, Pascin was closely associated with the artists, musicians, and effervescent literati of the 1920's. The Bulgarian-born artist was a major figure in the School of Paris before coming to the United States, where he became a naturalized citizen. In the United States Pascin traveled extensively, and was particularly drawn to the southern states and to the Caribbean islands. He recorded his travels in brilliant, instantaneous pencil sketches, sometimes touching them with delicate washes of color. Dispassionately he painted field workers and the picturesque citizens of a tropical land steaming in the sun, mules and wagons waiting in the shade of palm trees, yachts swinging in motionless harbors. These drawings Pascin assembled into two scrapbooks, regarding them highly himself. After his suicide in 1930 one scrapbook passed into the collection of the Museum of Modern Art, New York, and the second became a prized treasure of the Marion Koogler McNay Art Institute of San Antonio. The McNay Art Institute, with the University of Texas Press, here presents one hundred and seven exquisite drawings from the scrapbook, eight of them in color, the first extensive publication of drawings by one of the major draughtsmen of the twentieth century. While Pascin himself was relatively impervious to the influence of other artists, he exerted a striking influence on American art of the 1920's and 1930's. Kuniyoshi, Ganso, Brook, Dehn, Biddle, and others whom he met in the United States all bear the imprint of his style, which they have generously acknowledged, and even of the subject matter to which he drew their attention. He was, Francis Biddle wrote, intensely of our fluid, contemporary world, suffering from its aimlessness, a child of its tolerant skepticism, free from traditions, but also without roots or hardy and impassioned prejudices. Henry McBride wrote touchingly: I had the greatest admiration for Pascin. I never met him without feeling his superiority. He was completely the artist. It was so natural for him to be an artist that unconsciously he complimented everyone he met by assuming that they, too, were artists. It was partly due to this sweetness in his character that he exerted such a great influence upon his fellow painters, particularly here in America where we are not used to so entire a devotion to the arts, and where it is so difficult to be an artist. It was due to his essential integrity as an artist, I think, that he died.

First edition. Exhibition brochure for a show that ran June 10 through July 13, 1960. Single small sheet folded once to create 4 pages. Features text in French by Claude Roger-Marx and Pierre Dubreuil. Includes 2 black and white illustrations and a checklist. Scarce ephemera.

Soft cover. Condición: Near Fine. Thin 4to, b&w illus.vvcl1topbx2.

Hardcover. Condición: Very Good. Quarto, hardcover, VG with part of green dj laid in. Introduction by John Palmer Leeper. 106 pp. of Caribbean sketches by this romantic bohemian artist of the 1920's from Bulgaria who learned his art in Paris. He sketched field workers, mules, wagons, yachts and more. Book.

Stapled Binding. Condición: Very Good. Type: Art this copy is tight and the interior is clean and unmarked.26th of November - 20th of December 1997.

Hardcover missing dustjacket, 32 pages of text followed by b/w illustrations and 34 color plates; poor condition; 4 inches of spine missing at bottom; small splits to spine at top and bottom. As is.

In-8 (21 x 17), broché, couverture illustrée. Paperback. Catalogue de l'exposition; reproductions en noir et blanc, quelques-unes en couleurs. Très bon état.

Softcover staple bound, 12 pages, very good condition, no internal marks, clean and crisp.

Softcover staple bound, 8 pages, very good condition, no internal marks, clean and crisp.

Hardcover without dustjacket as issued, 92 pages, in English; very good condition, yellowing to covers; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Very Good. ***Please Read*** French edition - Book shows light wear with no DJ - interior is tight and clean - size is about 9x10x1/2 inches - 88 pages - my shelf location - bn2-c-14*.

Soft cover. Condición: Near Fine. First Edition. Near fine in original wrappers with a small discoloration on the front panel and a small corner crease.

Softcover. Condición: Très bon. Ancien livre de bibliothèque. Légères traces d'usure sur la couverture. Edition 1995. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Slight signs of wear on the cover. Edition 1995. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hard Cover. Condición: Good. Stated Zweite Auflage (second edition). Paper covered boards with a slightly colored illustration by Pascin on the front cover. 94 pp. All text in German. A printing of an unfinished novel by Heinrich Heine. With line illustrations by Jules Pascin, a Bulgarian born painter considered a key figure in the Modernist art movement of Paris in the early 1900s, who often painted prostitutes and models. He committed suicide in 1930. GOOD condition. Moderate to heavy browning to the covers. Minor soiling and faint dampstaining along the lower portion of the front cover. Paper chipped and scuffed along the hinges and extremities. Paper browned in the interior.

Paperback. Condición: Used: Good. 12. januar - 9. mars 1980; Good overall; no marks; interior is VG; some rubbing at the very tips; 15 oz; 12x 8".

Paperback. Condición: Fine condition. Pascin, Jules Ilustrador. First Edition. New York: Washington Irving Gallery, 1959. Fine condition. (1959?). Illustrated with a few photos and about 10 black/white art reproductions. Includes "The Marvelous Monsieur Pascin" by Alfred Werner and "Jules Pascin, As I Remember Him" by Ernest Fiene. Bound in the original brown wraps. 8.5" wide by 11" tall. . First Edition. Softcover (stapled wraps). Fine condition. Illus. by Pascin, Jules. [12]pp.

Couverture rigide. Condición: Bon. Edition originale. In-4° , relié , 88 pages , nombreuses illustrations.

Soft cover. Condición: Very good. No jacket. The book is in good condition apart from some handling wear. The bottom edge of the text block is slightly scuffed. Binding is tight and pages are clean and unmarked.

Paperback. Condición: Near Fine. 1st. [22] pages, illustrations; 22 x 24 cm. Exhibition held June 19 through July 12, 1986. Near fine. Firm binding, clean inside copy. Age toning. *** The circle of Pascin (Julius Mordecai Pincas, 1885-1930), in the Montparnasse district of Paris, included such notable artists as Chagall, Delaunay, and Lipchitz. Louis Newman Galleries was a fixture in Beverly Hills for over twenty years. Size: Oblong.

First edition. Softcover. [20 pages.] Text in French with a preface by Paul Morand. Includes with the covers 15 black and white illustrations and a checklist. A very good copy in stapled wrappers with some minor wear.

Hardcover. Condición: Near Fine. Dust Jacket Included. 1st Edition. Retrospective of Pascin's Caribean sketches. First edition, hardcover, a Near Fine copy in a VG dustjacket which has a few short closed tears and a couple of small chips.

Paperback. Condición: Fine. 12 pages, 23 illustrations, mostly in colour. A Fine copy.