j m cruxent (30 resultados)

PAPERBACK. First edition. 226pp. & 104 b/w illustrations. large octavo paper. Estudios Monograficos VI. Library of Congress surplus stamp cover wear otherwise good.

Paperback. Condición: Good. Vol.2 only. Trade Paperback. Good. General used condition. Evident wear. Name on the cover. Text block clean and unmarked. Tight binding.

Paperback. Very Good+ in Wraps: shows indications of very careful use: just a hint of wear to the extremities; mild rubbing to the wrapper covers; the binding square and secure; the text is clean. Free of creases to the panels. Free of creases to the backstrip. Free of any creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, showing very mild wear only. Close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (9.8 x 7.05 x 0.75 inches). ix, 223 pages + 104 duotone plates at the rear of the book. Language: English. Weight: 21.5 ounces. Social Science Monographs VI. Paperback: Staple-bound Wraps.

Condición: Good. volume two only, 223 pp. + plates, paperback, previous owner's name to front cover, spine slightly worn, else text and binding clean and tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Condición: Good. Good condition. Estudios Monogr�ficos ; 6, Volume 1. Spanish edition. (Archeology, Venezuela) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Original Wraps. Condición: Very Good -. 18pp, illus., text entirely in Spanish, Libro en Español, usual lib. markings, slight shelfwear. Ex-Library.

Soft cover. Condición: Good. x+226 with 104 plates, maps, charts, tables, figures, drawings, and illustrations. Royal octavo (9 3/4" x 6 3/4") bound in original publisher's wrappers. Estudios Monograficos VI. First edition. This is a chronical of archaeology of Venezuela comparing pottery and other artifacts from the various sites and zones through out Venezuela including the northern islands. Condition: Wrappers taped at spine, corners bumped, previous owner's name to title with label from Universidad de los Andes, edge wear else good in a very good text.

Paperback. Condición: Good. ix, 223p., maps, 106 photoplates, illus., tables, graphics, wrps. Griffin 1265 (cites simplified 1963 version). "An unusually large number of well-selected illustrations".

Paperback. Very Good+ in Wraps: shows indications of very careful use: just a hint of wear to the extremities; mild rubbing to the wrapper covers; the binding square and secure; the text is clean. Free of creases to the panels. Free of creases to the backstrip. Free of any creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, showing very mild wear only. Close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (9.8 x 7.05 x 0.6 inches). xiv, 277 pages. Language: English. Weight: 17.7 ounces. Social Science Monographs VI. Paperback: Staple-bound Wraps.

Hardcover. Condición: Near Fine. First English Edition. Collaborative effort with the Central University of Venezuela and the Caribbean Program of Yale University. xiv, 277 pp; ix, 223 pp plus 106 plates at the end. Vol. 2 primarily maps, charts and illustrations. May require extra shipping costs.

Soft cover. Condición: Good. 1961. South America, Journals. Union Panamerica, Estudios Monograficos VI. 226 pages of figures and maps, 104 back and white plates. Covers show handling, wear and tear to paper spine, otherwise tight and clean.

Encuadernación de tapa blanda. Condición: Bien. 1ª Edición. ix,226 + 104 p. con planchas b/n ; 25x17 cms.,ilustraciones b/n, mapa Manchitas en bordes de cubiertas. Interior bien (A-260-GR-20).

Soft cover. Condición: Vg+. Small 4to. ix, 1-226p. of text plus 104 pages of full-page b/w photographic plates of artifacts. Printed orange wrappers. Spanish. Volume 2 only. Top of spine and top left corner of wrapper missing, wrappers very lightly soiled, else Vg+/ n/a.

Soft cover. Condición: Very Good. Presenta Coloración Por El Tiempo Y Desgaste, Por Favor Vea Las Fotos. Presents Time Coloration And Little Wear, Please Check Pictures.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 2nd Edition. Presents Wear On Cover And Some Aging Stains Please Check Pictures. Due Size And Weight Extra Shipping Charges Will Be Added. Presenta Poco Desgaste En La Portada Y Coloracion Por El Tiempo Por Favor Vea Las Fotos. Libro Grande Y Pesado Que Genera Costos Adicionales De Envío.

4to. 30 - 62 pp. Ilustradoi con fotografías en b/n, dibujos y planos. 3 estados plegados. Encuadernación editorial. Lomo con pequeña falta. Interior en muy buen estado.

Condición: Very Good. two volumes, 320 pp. + 226 pp. + plates, paperback, previous owner's name to title page and front cover, else text and binding clean and tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Soft cover. Condición: Fair. Mild wear to cover, edges, with a few tiny stains to cover. Toning and a tiny bit of foxing to edges. Interior clean, binding sound. Line drawings throughout. 196 pgs. Text in Spanish.

Illustrierter O-Pappband, Einband mit wenigen Gebrauchsspuren, 159 Seiten mit zahlreichen fotografischen Abbildungen und Karten der Region zwischen El Consejo und Caracas, 4°. - - - Cruxent describe en su libro detalladamente la ruta del conquistador y fundador Diego de Losada. El libro esta acompanado por mapas y fotografias de cada entorno.

Soft cover. Condición: Very Good. Presenta Coloración Por El Tiempo Y Desgaste, Por Favor Vea Las Fotos. Presents Time Coloration And Little Wear, Please Check Pictures.

320 páginas. 8vo., rústica. Encuadernación con deterioros y faltantes en lomo.

Vol. I. Estudios Monográficos, VI. Rústica. 320 páginas.

Hardcover with dustjacket, 262 pages, in Spanish; very good condition except moderate rubbing to dj; no internal marks. Foreign shipping may be extra.

Soft cover. Condición: Very Good. 1st Edition. Superb copy of a well done and thorough magazine on kinetic art and concrete poetry. One page dog-eared else excellent with slightest handling and shelfwear.

Cloth. Condición: Fine. Estado de la sobrecubierta: Fine. Limited First Edition. Cloth in mylar protected dust-jacket. Limited 1/3000 copies. Spanish text; 260 pp., illustrations of nearly 300 hundred ceramic objects. An important and comprehensive survey of the pre-Hispanic art of Venezuela. An exceptionally clean, tight copy in "as new" condition Size: Quarto.

Paperback. Condición: Near fine. Book. 265 x 210 mm, 64 pp. in printed stapled wraps. Front cover image ('Portrait of Andree Dantu by Richard Hardwick: three phases of a Dantu polaroid light mobile') in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. This particular issue is entirely dedicated to kinetic art and concrete poetry (as the title suggests), and the editorial (which is idiosyncratically placed in the middle of the publication) reads: 'This issue of IMAGE is largely devoted to Kinetic Art: art, that is, incorporating real movement as opposed to the painted or static illusion of movement.' It is illustrated with a photograph of the editors and contributors - Stephen Bann, Reg Gadney, Frank Popper, Phil Steadman and Citroen - strolling through Paris. The issue features an essay by the concrete poetry specialist Stephen Bann, entitled 'Communication and Structure in Concrete Poetry', which comes with a reprinted letter from Ian Hamilton Finlay to Pierre Garnier, dated September 17th 1963. Translated by Bann are extracts from 'Manifesto for a new poetry, visual and phonic' by the concrete poet Pierre Garnier: 'The word is an element. / The word is a material. / The word is an object.' Also included in this section is a manifesto by Eugen Gomringer, entitled 'from line to consideration', and translated by Mike Weaver. It was 'first printed in augenblick no 2 agis verlag baden-baden 1954'. Works by Augusto de Campos, Ronaldo Azeredo, Decio Pignatari and Haraldo de Campos are also reprinted here. The second academic essay featured is a text by Mike Weaver entitled 'Concrete and Kinetic: the poem as Functional Object', which is illustrated with reproduced typestracts by Dom Sylvester Houedard. Also featured is a text by the editor Philip Steadman, entitled 'Colour Music and the Art of Lumia, and an essay by Reg Gadney entitled 'An Introduction: Kinetic Art', which is illustrated with images of works by Alexander Calder and Alexander Schoffer's Chronus sculptures. There are artist profiles of Frank Malina (by Reg Gadney); Gregoria Vardanega (by Stephen Bann); Martha Boto (by R.G); J-M. Cruxent (by S.B); Andree Dantu (by R.G); Knud Hvidberg and William Soya (by R.G); Nino Calos (by R.G). Condition: near fine (contents fine minor rubbing to covers).

Encuadernación de tapa blanda. Condición: Bien. Ensayo tentativo sobre la identificación de la ruta seguida en el año 1567, por el conquistador Duegi de Losada, desde los Valles de Aragua al Valle de Los Caracas. 159pp. Mapas desplegables, fotografías. Size: 29.5 x 23 Cm. Book.

Paginas: 159,00 Idioma: ESPAÑOL.

Signals London was a short-lived yet highly influential British venue dedicated to 1960s avant-garde artists from Europe and Latin America, founded by Paul Keeler, Guy Brett, David Medalla, and Marcello Salvadori. Through exhibitions, events, and publications, they established fruitful cross-border networks between these regions and introduced early manifestations of Fluxus, Kinetic and Op art to Britain. Having evolved from the Centre for Advanced Creative Study, Signals London was situated in London's West End between 19641966. Signals is widely regarded as one of the most important galleries for avant-garde activities in London in the 1960s. This archive, acquired over several years between 1995-present, include: (1) Two early documents from the Centre for Advanced Creative Study, including the 1964 Prospectus and the exhibition brochure for the 2nd Pilot Show of Kinetic Art; (2) Complete set of Signals Newsbulletin (1964-1966), edited by David Medalla,with issues featuring David Medalla, Constantine Takis, Lygia Clark, Carlos Cruz-Diez, Jesus-Raphael Soto, Alejandro Otero, Alexander Calder, Jose Maria Cruxent, Dom Sylvester Houedard, Yves Klein, Liliane Lijn, Mira Schendel, John Sharkey, and others; (3) Complete set of Signals exhibition brochures, published to coincide with exhibitions and events featuring artists including Takis, Marcello Salvadori, Naum Gabo, Jesús Rafael Soto, Carlos Cruz-Diez, Lygia Clark, Sergio de Camargo, Alejandro Otero, Antonio Calderara, Pia Pizzo, Hsiao Chin and Li Yuan-Chia; (4) Nicholas Snowden Willey's 1965 book of poetry, The Green Tunnel; (5) Eleven documents, catalogues, and ephemera (published 1960-1969) by Signals-associated artists, including Lygia Clark, Carlos Cruz-Diez, David Medalla, JM Cruxent, and Alejandro Otero; (6) Original programme for David Medalla's 'The Bird Ballet'; and (7) Signals Newsbulletin box set (facsimile edition, 1995).