cornelis cort (21 resultados)

La Haye, Martinus Nijhoff, 1948. XVI,249 pp. 64 b./w. ills. Softcover (pictorial wrappers). 8vo.Text in French.

Leather Bound. Condición: New. Language: Latin. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1566. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Latin, Pages: - 64, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 64.

Condición: Bon. Beau tirage collé sur carton et coupé au trait d'encadrement. 28,2 x 20 cm.

Incisione originale eseguita a bulino su lastra di rame con firma e data riportate su lastra in basso a destra \"Hieronymo Myciani inve - Corneli Cort fe 1573\". In basso in centro \"Priviligio . D Greg. PP XIII\". Scritta inferiore fuori a margine l`editore \"Bonefatio Breggi al. Melone doro in Roma\". La stampa raffigura l`apparizone del cervo miracoloso a San Eustachio in un paesaggio boschivo, soggetto tratto da un`opera del pittore Muziano Girolamo detto Girolamo da Brescia, facente parte di una serie sul tema \"Grandi paesaggi con santi eremiti\". Esemplare in discrete condizioni con alcune lacune e piccoli strappetti ai margini laterali. Al bordo inferiore lacuna risarcita all`angolo destro, altra lacuna risarcita con perdita del fregio centrale.

copper engraving. 215 x 152 mm. (image). laid paper. trimmed at or near neatline (image shaved on left). signed in the plate. A dark impression (repair to upper left corner with some loss, mounting tape on verso). Second State (of 3). Apparently 2 lines of Latin verses and Speccard's (Speckaert's) name have been cut off at the bottom. The Dutch engraver apprenticed with prolific print publisher Hieronymus Cock and spent the last twelve years of his life in Italy, where he lived for a time with the painter Titian in Venice, and where he produced engravings based on works by Titian, Raphael, Caravaggio and others. "In the use of a more open system of lines, contrasting with the closer hatching of Marcantonio and is followers, Cort was perhaps the pioneer in Italy, and the immediate inspirer of Agostino Carraci." (Hind, A History of Engraving and Etching, p. 119) Hollstein 138.

[Grabado] Países Bajos, 1571. (370 x 265)mm. 1 hoja con grabado calcográfico. Primer estado, temprana impresión antes del daño en forma de media luna en la esquina inferior izquierda. Extraordinario grabado calcográfico de Cornelius Cort sobre una pintura encargada por Tiziano para Felipe II (actualmente en Fitzwilliam, Cambridge). Inscripción "Cornelio Cort fe 1571" en la parte inferior izquierda y "Titianus Inven" en la parte inferior derecha. AL borde del margen inferior "Cum priv". Buen ejemplar con la impresión nítida; leve mancha en el margen inferior izquierdo, expertamente restaurado al verso. 370x265mm. (14½x10½").

Hardcover. (ca. 1560). überwiegend auf die Plattenkante beschnitten, stellenweise mit winzigem Rändchen. Etwas fleckig, verso stärker (leim-)fleckig. Geglättete horizontale Falten. Etwas wellig. Oben rechts auf ca. 5,5 cm Quetschfalte mit leichter Bräunung, wohl mit geschlossenem Riss. Verso am oberen Rand in den Ecken zwei Papierfalze. - Schöner, kräftiger Druck. - differenzbesteuert, daher kein Ausweis der Mehrwertsteuer.

Condición: buona. Bulino, circa 1570, firmato in basso a destra dall'editore. Da un soggetto di Tiziano. Straordinaria prova, caratterizzata dalla presenza dei numerosi graffi di lastra tipica solo delle primissime tirature, impressa su carta vergata coeva priva di filigrana, rifilata al rame o con sottili margini, in buono stato di conservazione. Formato: 310x240mm.

Condición: ACEPTABLE. Quid Christi mors? ut moriamur crimina fassi, Coraq scindantur, marmora scissa docent [.]. [C.Cort fe. / 1567] ; [Roma ex Typis Ant. / D. Salamaca] . Formato (cm): 40x27.

Original Kupferstich von ca. 1600. -- Platten-Maße: ca. 20 x 25 cm; mit schmalen Rändchen. -- gut erhalten. || Original copper engraving from c. 1600. --- With narrow margins. -- in good condition. la Gewicht in Gramm: 15.

No Binding. Condición: Poor. Portrait of Rogier van der Weyden. Born c. 1400 in Tournai, Belgium. Died 18 June 1464 in Brussels, Belgium. Copper engraving by Cornelis Cort (1533-1578), c. 1575. Mediocre condition. With a small loss of the image in the upper left corner, with minor traces of former mounting. Verso: blank. Note: a state with the number 4 in the upper right corner, with the text below the print printed instead of engraved. Currently attributed to Cornelis Cort instead of Wierix (=see New Holsltein 227). Note: dimensions reflect the plate mark. Dimensions: 211 x 120 mm. Rogier van der Weyden was Painter, and Artist. c. 1575. Print.

[Die Verlegerangabe am unteren Rand hier fehlend, verso mittig ein kleines Sammlersignet und oben links ein Sammler-Namenszug "Franz Baumgartner / 854"sowie an den oberen Ecken sowie an den Rändern etwa mittig Reste einer ehemaligen Montage, die unteren Ecken leicht fleckig, sonst gutes Exemplar in einem kräftigen Abdruck mit nur schwachen Stockflecken verso]. Relativ seltene Arbeit von Cort. Cornelis Cort (1533-1578) arbeitete zunächst für Hieronymus Cock. Etwa 1566 zog er nach Venedig und wohnte dort bei Tizian, für den er manche Werke gestochen hat. Später ging er nach Rom und gründete eine Schule, die u.a. Agostino Carracci besuchte. ----- BITTE BEACHTEN: Auf Grund der absurden und irrsinnig teuren staatlichen Regelungen für die Entsorgung der Versandpappen in den nachfolgenden Ländern, kann ich leider nicht mehr liefern nach: Österreich, Griechenland, Polen. Kunden in ÖSTERREICH können sich aber an die einheimische Post wenden, die inzwischen einen entsprechenden Service anbietet. --- PLEASE NOTE: Due to the absurd and insanely expensive government regulations for the disposal of shipping cartons in the following countries, I can unfortunately no longer deliver to: Austria, Greece, Poland. However, customers in AUSTRIA can contact their local post office, which now offers a corresponding service.

Portrait of artist Rogier van der Weyden, sitting on a table facing right; a shadow is cast on the right wall; small niche with a scene depicting the Pietà and a scroll hanging on the wall in the upper left; first state.From the first edition published by the widow of Hieronymus Cock in Antwerp 'ROGERO BRUXELLENSI PICTORI. / Non tibi sit laudi, quod multa, et pulchra, Rogere, / Pinxisti ut poterant tempora ferre tua, / Digna tamen, nostro quicunque est tempore Pictor / Ad quae, si sapiat, respicere usque velit : / Testes picturae, quae Bruxellense tribunal / De recto Themidis cedere calle vetant : / Quam tua de partis pingendo extrema voluntas / Perpetua est inopum quod medicina fami. / Illa reliquisti terris iam proxima morti ; / Haec monumenta polo non moritura micant'. Numbered above right: '4'. For Frisius edition see 60079. Engraving, etching and letterpress with small margins; left margin trimmed on plate mark; pasted on thicker paper; plate mark: 210 x 121 mm; total: 220 x 125 mm; New Hollstein (Cort) 227, New Hollstein (Hondius) 86.

Coupé au tralt carré. Petits accidents aux angles. Très rare épreuve à la date de 1567 alors que Le Blanc (n° 60) décrit le 1er état à la date de 1568. Mise aux carreaux. 30,2 x 21,2 cm.

The young Virgin being presented at the Temple, after Taddeo Zuccaro. Inscriberd at the bottom:'Lumina conoscendens ultro petit ardua templi // Ipsa eadem templum Virgo futura Dei.' Address in lower margin:'Ant. Lanfre[rij]'; second address in margin at left:'Ioannes Orlandij formis romae 1602' l Engraving on paper, trimmed within platemark; total: 278 x 198 mm ; state III/3; some damages at the bottom repaired, some other not. New Hollstein 96; Bierens de Haan 21; Le Blanc 24; Wurzbach 86 OMP (Old Masters Prints Black Folders) C (5).

After ancient Roman frescoes and sculptures Ilustrador. 'JOANNES ORLANDIJ, ROME, 1602'Faun holding a young Bacchus on his shoulders, surrounded by grapevines, symbolizing wine and revelry.Made by Cornelis Cort after After ancient Roman frescoes and sculptures.Medium: Engraving on hand laid (verge) paper. Watermark: Unidentified.Sheet size: 17.3 x 35 cm (6.81 x 13.78 inch). Image size: 17.3 x 35 cm. (6.81 x 13.78 inch).FAUN, BACCHUS, MYTHOLOGY, SPECULUM ROMANAE MAGNIFICENTIAE, ENGRAVING, C. CORT, ROME | PCO-EXPO-90BACKGROUND INFORMATIONOriginally printed in the Speculum Romanae Magnificantiae (The mirror of the splendour of Rome), which was the result of the collaboration between Antonio Salamanca and Antonio Lafreri in the years between 1553-1563, during which they published a large number of prints showing the beauty of ancient and modern Rome. These prints were sold separately to collectors and tourists, but also in albums containing a larger number of prints. After the decease of Lafreri a substantial part of the plates came into the possession of Claudio and Stefano Duchetti, who standardized the production of these albums and added the name of Duchetti to the plates.State: 4th state (of 4).Reference: Hollstein 149.Biography engraver: Cornelis Cort (15331578), a Flemish engraver known for his detailed depictions of Renaissance and classical themes.Biography artist: Based on classical Roman artworks, the engraving is emblematic of Renaissance interest in antiquity. Condition: very good, given age. Trimmed on the platemark, minor backed tear, flattened horizontal fold, light stain in blank corner. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Condición: buona. Bulino. San Girolamo in ginocchio regge nella destra una croce, di fronte a lui la Bibbia, alle sue spalle due angeli. Incisione rifilata in basso alla parte figurata, per il resto buone condizioni. Formato: 345x251mm.

Pentecost (Acts 2:1-4); above the Holy Spirit in the form of a dove appears through a gap in clouds surrounded by angels and putti; beneath in a room the Virgin and the apostles look up in awe. After a painting by Vasari made in 1568 for Santa Croce in Florence. The preparatory drawing is in the Pinacoteca Nazionale in Bologna (inv. 1651).Signed and dated on the bottom right: Corneli Cort sc. 1574.The plate was republished in 1602 by Giovanni Orlandi (fl.1590-1640).On verso collectors' marks: Kupferstich Kabinett Berlin (L. 1606, L. 5998), Graf von Leppel (L. 1672).Cut within the plate mark; bottom margin with the address of Lafrery and Orlandi not present.[NL] Pinksteren (Handelingen 2:1-4); boven verschijnt de Heilige Geest in de vorm van een duif door een spleet in de wolken, omringd door engelen en putti; beneden in een kamer kijken de Maagd en de apostelen vol ontzag omhoog. Naar een schilderij van Vasari gemaakt in 1568 voor Santa Croce in Florence. Engraving on paper, cut within plate mark, mounted on another sheet of paper with hand-drawn double frame; total (print): 437 x 287 mm; state II or III/3; some rubbing, some scratches in the middle part, otherwise in good condition. New Hollstein 77.

Maarten van Heemskerck Ilustrador. Triumph of the World, from The Cycle of the Vicissitudes of Human Affairs, plate 1.Made by Cornelis Cort after Maarten van Heemskerck.Medium: Engraving on handlaid paper.Sheet size: 37.5 x 26 cm (14.76 x 10.24 inch). Image size: 29.7 x 22.3 cm. (11.69 x 8.78 inch).PEGASUS-PERSONIFICATIONS-TRIUMPH-WORLD-VICISSITUDES | PCO-EXPO-149BACKGROUND INFORMATIONPublished by Hieronymus Cock (c.1510-1570).Biography engraver: Cornelis Cort (c.1533-c.1578) was a Dutch engraver and draughtsman. He spent the last 12 years of his life in Italy, where he was known as Cornelio Fiammingo.Biography artist: Maarten van Heemskerck or Marten Jacobsz Heemskerk van Veen (1498-1574) was a Dutch portrait and religious painter, who spent most of his career in Haarlem. He was a pupil of Jan van Scorel, and adopted his teacher's Italian-influenced style. He spent the years 1532-36 in Italy. He produced many designs for engravers, and is especially known for his depictions of the Wonders of the World. Condition: good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

(1573). Blattmaß: ca. 37,1 x 49,1 cm, (Blattrand knapp beschnitten/etwas gebräunt/hinterlegte Läsuren)---Verlag: Ohne Verlag: Ohne - Das Bild zeigt: Einen betenden Mann vor einem Schrein in Berglandschaft, im Hintergrund zwei Löwen - 18 Gramm.

Rotterdam, Sound & Vision + Amsterdam, Rijksmuseum, 2000. 3 vols. XXXIV,253, 241, 295 pp. B./w.ills. Orig. uniform hardcovers, d./j. - As new.Complete set of the three volumes on Cornelis Cort. - - Original new price for three volumes is 1440,--.