breton andré 1896 1966 (43 resultados)

Condición: New.

PAPERBACK, very good lightly used copy, mild crease mark on spine, covers scuffed. BRETON, ANDRÉ, (subject). . André Breton 1896-1966 et le mouvement surréaliste. Facsimile: La Nouvelle revue française, no. 172, avril 1967. Paris: Gallimard, 1990, reprinted, 384pp., . Facsimile de l'édition de "La Nouvelle revue française", no. 172, avril 1967. - Subtitle: Hommages - Témoignages - L'oeuvre - Le mouvement surréaliste. - CONTRIBUTORS: Jean Paulhan, Julien Gracq, Andre Pieyre de Mandiargues, Raymond queneau, Octavio Paz, Georges Perros, Pierre Bourgeade, Arrabal, Yvon Belaval, Vicente Aleixandre, Alain Jouffroy, Philippe Soupault, Georges ribemont-Dessaignes, Dussan Matic, Roger Caillois, Marko Ristik, Henri Lefebvre, Claude Elsen, Charles Dduits, Belen, Piero Bigongiari, Michel Butor, Michel Beaujour, Philippe Jaccottet, Jean Starobinski, Alain Bosquet, Jean Richer, Jean Roudaut, Etiemble, Robert Andre, Jean Pfeiffer, Maurice Blanchot, Guyla Illyes, Jorge Guilen, Andre Masson, Matta, Rene Lourau, Hanifa Kapidzic-Osmanagic, Claude Richard, Rene Micha, Nathaniel Tarn, Louis Morin. 9782070720934 ISBN 2070720934.

Paperback. 384p., 14 pages of plates, trade-sized 9x5.5 inch softbound, exterior is mildly shelfworn else very good condition. Facsimile of the April 1st 1967 issue of La Nouvelle Revue Française, 15e Année No. 172, french-language.

Condición: New.

Condición: New. 1a.ed. en esta colección. 22x15 cm. Colección Libros del Tiempo, 324. 152 p. Cartoné. Sprache: Spanisch, NUEVO / NEU / NEW. Las distintas facciones del surrealismo sintieron siempre una gran fascinación por los diccionarios y explotaron sus posibilidades poéticas. El más fascinante de todos ellos es el presente volumen, publicado por primera vez en 1938 con ocasión de la Exposición Internacional del Surrealismo: los poetas André Breton y Paul Éluard proponen una suerte de diccionario-collage en el que los términos próximos al movimiento son definidos con gran humor y agudeza por escritores o artistas plásticos muy diversos. Por sus páginas desfilan las extraordinarias «definiciones» del propio Breton y de Éluard, pero también las de Louis Aragon, Salvador Dalí, Man Ray, Max Ernst, Benjamin Péret, René Crevel o de mentores más o menos remotos del movimiento como Lautréamont, Rimbaud, Lenin, Marcel Duchamp o Pablo Picasso, entre otros. [Texto editorial] [literatura francesa+movimientos artísticos+arte+vanguardista+vanguardias+siglo XX+surrealismo+diccionario+manifiesto artístico+diccionario+humor]. ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * 15,80 (reduced from 17,50) **.

, Breton, André, 1896-1966. Anthologie de l'humour noir. Paris: Jean-Jacques Pauvert, 1972, 414pp., sewn PAPERBACK, very good. First published in 1939, reprinted in 1947, definitive edition 1966.

Rústica. Colección Punto omega. Nº 28.344 pp. 11x18 cm. Rústica. Un poco doblado. Ensayo, Ensayo literario, DS - Literatura.

Hardcover. Condición: New. Översättning och kommentar: Maja Lundgren. Sphinx Bokförlag, cop. 2015. Förlagets helklotband, med präglad silvertext och monterad pärmbild. Förlagsny. 19x13 cm. 123, [3] s. ISBN 978-91-978660-8-8.

Rústica comercial. Condición: Aceptable. Con la colaboración de G. Bataille, S. Dalí, P. Eluard, M. Ernst, P. Klososwki, H. Parisot, B. Peret, M. Singer, I. Tanguy. -- Traducción de José Martín Arancibia. -- 124 p. -- Los cuadernos prácticos, 7.

Publisher's original illustrated card wrap covers (soft back). 8vo. 6½'' x 4¼''. Contains 192 pp French text with monochrome illustrations and photographs throughout. In Very Good condition, no dust wrapper as issued. Member of the P.B.F.A. ART [Surrealism].

4to.; 176 pp. Encuadernación original.

Condición: Gut. 26 x 18,5 cm. 203 Seiten, mit zahlreichen, teils farbigen Bildtafeln. *Einband leicht bestoßen, ansonsten aber gut erhalten. Sprache: Französisch Gewicht in Gramm: 1001 Illustrierter Orig.-Leinenband mit Rücken- und Deckeltitel.

Brossura. Condición: Molto buono (Very Good). . 8vo. pp. 272. . Molto buono (Very Good). Pagine brunite ai margini (Pages slightly browned to edges). . . Book.

orig. wrappers. 22x13cm, 226 pages., Title pencilled on spine. Rear cover corner crease. Textual illustrations. Includes advertising matter. Rubberstamps to cover. Pages browned. Some wear. Good.

191 Seiten, OPappband m. OU. Mit 2 Abbildungen. Gutes, wohl ungelesenes Exemplar. Hintere Umschlagseite mit Knitterung. Good copy. Sprache: Deutsch Gewicht in Gramm: 500.

154(1) Seiten, OPappband m. Verlagsbauchbinde und OU. Lesebändchen. Mit s/w-Abbildungen. Gutes Exemplar. Das Buch wirkt ungelesen. Good copy. Sprache: Deutsch Gewicht in Gramm: 500.

Condición: usado- bueno.

orig. wrappers. 22x13cm, 30 pages., Staples rusted. Corners bumped. Covers foxed, browned & soiled. Worn. Good.

paperback. Condición: Ottimo (Fine). Catalogo della mostra alla Galleria Schwarz, al Centro Francese di Studi di Milano e al Centro Culturale Francese di Roma. Con la collaborazione di Arturo Schwarz. Testo di André Parinaud. Prime edizioni, documenti, manifesti, ''Alcuni degli artisti che Breton amava'', intervista con Marcel Duchamp. Testo in italiano, francese e inglese. Con bibliografia delle pubblicazioni e delle opere esposte. Numerose ill. e foto dell'Artista in nero . 8vo. pp. 62. . Ottimo (Fine). . . Galleria Schwarz [Fondazione Mudima, 1995] Giulivi Ariella e Trani Raffaella (a cura di), Arturo Schwarz. La Galleria 1954-1975. Milano, Fondazione Mudima, 1995. Book.

427 Seiten, Zweispalten-Druck, grünes OLeinen, durchgehend mit Abbildungen. Das Rückenschild löst sich an einer Ecke. Gutes Exemplar. Good copy. Sprache: Deutsch Gewicht in Gramm: 1000.

orig. wrappers. 24x15cm, 15 pages. Corner bumps. Worn. Cover browned. Good.

hardcover. Condición: Ottimo (Fine). Préface d'Octavio Paz. Choix des textes et catalogue de Jean-Michel Goutier. Bibliographie . 4to. pp. 188. . Ottimo (Fine). . . . Cet album d'art réunit pour la première fois 142 oeuvres plastiques d'André Breton, avec 84 réalisation totalement inédites. Textes thèoriques, poèmes et fragments tendent, en se combinant aux reproductions des oeuvres, ''à spéculer sur leur puvoir d'exaltation réciproque'' comme dans la définition du poème-objet. Book.

165(3) Seiten, ca 21x14cm, OBüttenbroschur. Unbeschnittenes Exemplar. Die Originalausgabe des Gedichtbandes erschien 1932 unter dem Titel "Le revolver à cheveux blancs". Inhalt: Leihhaus, 1919 - Erdschein, 1924 - Die freie Vereinigung, 1931 - Der weisshaarige Revolver, 1932 - Violette Nozières, 1933 - Die Weise des Wassers, 1934 - Am schwarzen Waschstein, 1936. Der empfindliche helle Einband etwas verschmutzt und fleckig, die Ecken aufgebogen. Gutes Exemplar. Good copy. Sprache: Deutsch Gewicht in Gramm: 500.

Encuadernación de tapa blanda. Condición: Bien. 1ª Edición. 317 p. ; 19x14 cms. Firmado y dedicado al crítico de arte español Antonio Romera (A-180). Dedicatoria autógrafa del autor.

paperback. Condición: Molto buono (Very Good). Prima edizione di 625 esemplari. Avec textes et illustrations d'André Masson Prima edizione di 625 esemplari di cui 12 + 95 con una litografia originale di A. Masson (non firmata). 16mo. pp. 114. . Molto buono (Very Good). . Prima edizione di 625 esemplari. . Book.

Condición: Good. Original green wraps.15.2 x 21cm. One of 150 numbered copies. Light stains aroudnd cover edges. OCLC Number: 146130703."Achevé d'imprimer le quinze janvier mil neuf cent trente-sept sur les presses de L. Beresniak, a? Paris, 12, Rue LaGrange. [blank] Il a été tiré de ce poème quinze exemplaires sur papier vert roy louis et cent trente-cinq exemplaires sur papier perle persan"--Colophon.Description: 27 unnumbered pages : portrait ; 21 cmSurrealist Gui Rosey disappeared while trying to flee the Nazis.

Book: (12 3/4 x 10 3/4 x 2 1/2 inches). Photo image size: (11 1/8 x 8 3/8 inches). Photo sheet sizes: (11 1/8 x 8 3/8 inches). First deluxe edition. Numbered 26 of 220 copies, with 200 copies numbered 1 to 200 and 20 copies "hors commerce" numbered from I to XX. Unpaginated, but over 300 pages printed in black and white duotone, picturing 548 items. Bright red-orange cloth with black dye-stamped lettering, gilt edges and printed endpapers, and glossy color dust jacket. Set in blue clamshell cardboard box quarter-bound in black leather with embossed gilt lettering on spine, the front of the box is a trompe-l'oeil replica of the assemblage "Pechage" by Man Ray from 1969, set within a navy cardboard slipcase. Comes with a blue folder with two black and white photographs printed from original negatives A numbered deluxe first edition of a landmark Man Ray monograph with a portfolio containing "Fashion Photograph" (1930) and "A View of the Artist's Studio" (1934) printed from Man Ray's original photo negatives. A beautiful box-set containing (1.) A portfolio of photographs, "Fashion Photograph" (1930) and "A View of the Artist's Studio" (1934), printed from Man Ray's original negatives by Pierre Gassman: "Tirage original realisé par Pierre Gassman" with "Man Ray Paris" atelier stamp on backs. (2.) A hardcover monograph with jacket published for the exhibition Man Ray 1890-1976 at Ronny Van de Velde in 1994. (3.) A box with a trompe-l'oeil replica of Pêchage, an assemblage by Man Ray from 1969. (4.) A navy card slipcase. The exhibition catalogue contains more than three-hundred black and white photographs, fifty paintings, and sixty objects, as well as a biographical chronology, a catalogue of works, and five texts: two by Man Ray, "It Has Never Been My Object . . ." (1945) and "To Be Continued Unnoticed" (1948); and three by André Breton, "Man Ray" (1928), "The Visages of The Woman" (1934), and "Behold Man Ray" (1937). "[Man Ray's] chosen position as outsider - American in Paris, in the no man's land between art and photography, between iconoclasm and calculated composition, between American pragmatism and European elegance - lends to his best work a timeless power of attraction. The "Man Ray effect," that intangible aura, entices us most of all because his work summons up individual freedom and pleasure.".

loose_leaf. Condición: Molto buono (Very Good). Edizione originale. Brochure originale con la riproduzione in fac-simile dello scritto autografo di André Breton ornato di 18 disegni e collages di diversi artisti del Movimento Surrealista:  Man RAY,  Oscar DOMINGUEZ, Salvador DALI, Jean ARP,  Yves TANGUY, Marcel JEAN,  Alberto GIACOMETTI,  Max ERNST,  Valentine HUGO,  Marcel Duchamp. . Cm 24,2x30,8. . . Molto buono (Very Good). . Edizione originale. . Il ciclo di quattro conferenze previsto da Breton nel giugno 1935 non ebbe luogo. Avrebbero dovuto partecipare lo stesso Breton, Paul Éluard, Georges Hugnet, Léo Malet, Benjamin Peret, ed altri. Era previsto, in particolare, che  Dalí,   declamasse un poema inedito intitolato ?Je mange Gala?, dove sarebbe apparso vestito in modo appropriato, e che presentasse i suoi oggetti surrealisti seguiti dalle ?poesie-oggetto? di Breton.Le conferenze avrebbero dovuto coincidere con il Congresso internazionale degli scrittori previsto a Parigi nello stesso periodo. Il progetto fu concepito probabilmente nel febbraio 1935, prima della partenza di Breton per Praga.[Rif: Paris, Musée national d'art moderne - Centre Georges Pompidou, André Breton, la beauté convulsive, 1991, p. 222]. Book.

Condición: Good. Estado de la sobrecubierta: none. Frà derick J. Kiesler (Vienna, 1896-NY, 1966), Ilustrador. Paris., Aux Edtions de La Revue Fontaine à ditions, 1947. Tall 4to. (82 x 170mm) . Typography and illustrated Compositions conceived in black by the surrealist architect, Frà derick J. Kiesler (Vienna, 1896-NY, 1966), in New York and printed in Paris. This being an example of one with the watermark of Papier Và lin Filigrane, Holland van Gelder, one of 30 examples. Signed H.C. sur Hollande. Illustrated throughout by Designs by Kiesler but lacking the hand colored lithograph by Kiesler. Keisler was the inventor of the "maison sans fin". Cover is foxed otherwise condition is good. Sheringham Aa381; Gershman p.9; Aes 17.47; Biro/Passeron 455; Reynolds p. 18.

[Literary Essay] FIRST EDITION, trade issue. Small quarto (24 x 19cm), pp.66 [6]. With the errata slip at rear. Publisher's orange illustrated paper covers. All edges untrimmed. Gently toned throughout, otherwise clean. Spine a little toned; edges rubbed, with a chip to tail of spine. Very good. Concerning "La Chasse Spirituelle," falsely attributed to Arthur Rimbaud.