aleksandr rodchenko (107 resultados)

423 pp.; 27.6 x 20.2 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed A broad history of Modern Art by Robert Hughes based on his BBC2 television series of the same name. Artists include Umberto Boccioni, Gino Severini, Marcel Duchamp, Jean Arp, Franz Marc, George Grosz, Marc Chagall, Aleksandr Rodchenko, Paul Cezanne, Henri Matisse, Giorgio de Chirico, Salvador Dalí, Jackson Pollock, Andy Warhol, and many others. Includes index and bibliography. Fair / Good. Rubbing of cover edges. 6.6 cm. crease to top right corner of recto, 4 cm. crease to bottom left corner of recto. Bumping of cover corners. Text block beginning to separate from the spine. 4.5 cm. dog-ear to page 161. 3.3 cm. black ink check mark to page 159 and two 1.3 cm. black ink check marks to page 390. Due to large size and weight additional shipping charges will be required for international orders.

Softcover. Condición: Wie neu. Ohne Schutzumschlag. 1. Auflage. 86 pages with many illustrations,partly coloured.

Hardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Unknown. Condición: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery. 1.6.

Hardcover. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Solid very good plus copy in dust jacket.

Condición: Very good. - Small quarto [9-1/2 inches high by 8-3/4 inches wide], black cloth in a pictorial dust wrapper. The binding is lightly bumped. The spine & extremities of the dust jacket are slightly darkened & there is minor creasing to its front panel. 131 pages plus colophon. Numerous illustrations in color and black & white. Very good. The text is in Italian.

Condición: Used - Like New. 1998. Paperback. Quarto. 153 pp. Profusely illustrated. Text in French. Fine.

Softcovers. Condición: Near Fine. Aleksandr Rodchenko and Varvara Stepanova Ilustrador. First Edition. 1989. 86pp. B&W and colour illustrations. "The Rodchenko Family Workshop is the most comprehensive combined presentation of the works of Aleksandr Rodchenko and Varvara Stepanova yet seen in the United Kingdom, and included are a number of works never before exhibited outside the Soviet Union. The exhibition forms the centre-piece of the visual arts programme of 'New Beginnings: Soviet Arts in Glasgow'." The book is in excellent condition. There are no inscriptions and all contents are tight and clean.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Collection of photographs Russian avant garde.

Condición: Near Fine. Sm 4to, 167 pp, near fine in illustrated wraps. Text in Italian. Profusely illustrated in color and b&w: 74 plates of drawings, posters, constructions; 44 reproductions of photographs; numerous smaller illustrations. Beautifully printed exhibition catalog. Scarce.

Soft cover. Condición: Fine. Printed in red, black and yellow. Striking red covers, decorated in black. A fine copy.

Hard cover. Condición: Good. Estado de la sobrecubierta: Good. The jacket is shelf worn and slightly rubbed. The covers spine is slightly scuffed near the bottom edge. Binding is secure and inside is clean and unmarked.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. First Edition. The binding is tight, corners sharp. Light wear and soiling to edges of text block with remainder mark on bottom edge. Text and images unmarked. Dj shelf worn with scuffs, creases & small tears in a mylar cover.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. remainder mark.

Condición: Good. Good condition. Italian. (artistic photography, books in Italian) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Exhibition invite with button pinned to front, 4 x 9 inches; very good condition; an unmailed copy.

softcover. Condición: Sehr gut. (72) p. Hu. / En. Marginal wear to cover. ISBN: 9789637402340 Sprache: Englisch Gewicht in Gramm: 546.

Condición: Bueno. Juan March. Tapa blanda. Cubierta deslucida. 29 cm. Ilustrado. Varios idiomas. Libro en almacén. Bueno.

30.0 x 24.0cms 336pp b/w & colour illusts very good paperback & cover The essays are: innovation & experiment; on priorities & patents; the propagandising of thiings; Rodchenko & photography's revolution; days in the life (interview with Varvara Rodchenko).

Softcover. Black and white illustrated wraps, [35] pp, illustrated in bw photographs. Written in French. Exhibition organized by Suzanne Page and Laurence Bosse held June 21- September 20, 1977. Text by Andréi B. Nakov, and others. Includes bibliographical references (page 35). Good+ (slight tanning/aging to wraps and title page).

Condición: Very good.

Hardcover. Text in German with captions in English as well. Includes numerous images. A fine copy in a fine dust jacket. As new and still in the publisher's shrinkwrap.

Cloth. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Rodchenko, Aleksandr Mikhailovich (photography) Ilustrador. 1st Edition. 344pp. bw and color photographs by Aleksandr Rodchenko, (1891-1956). Red endpapers. Stamp to top edge text block. Red cloth w crisp black lettering to cover and spine. No wear to covers or spine. Binding square and sound. Photo illustrated DJ is clean and without wear. Folio: 322 x 280mm. Text in English, German and French; English translation from Russian, Francis Nethercott; German translation from English, Doris and Helga Contzen; French translation from English, Marie-Anne Tre?meau-Bo?hm.

Softcover. Condición: Sehr gut. 1. Auflage. Z : 31 x 32 cm, 384 pages, 183 color & 21 b/w illustrations - It is uncertain if Edi Rama's doodles are the fruit of close attention or daydreaming. Made on printouts of his daily agenda, office notes, protocols, faxes, and other official correspondence, the drawings are like a stream of lava, loosely binding the day-to-day grind. While Rama's mind focuses on the political context of the discussion, his eyes are focused on the paper, following his hand that draws, like a spiritual medium, his inner experience. Anri Sala compares and contrasts the doodles within the context of Rama's background. Opposite Rama's doodles, Sala places headlines of concurrent daily news from Albanian and international papers, covering political, social, and other events of different impact, i.e. local, Albanian, European, international, and sometimes universal.

Hardcover. Condición: Very good. Estado de la sobrecubierta: very good. Cloth/dust jacket Octavo. black cloth, gilt lettering, dust jacket, 439 pp Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

Hardcover with dustjacket, 264 pages, in Hungarian? ; very good condition, except for two 1-inch tears to dj near top of spine; otherwise clean and crisp; owner's name on inside covers; no other internal marks. Foreign shipping may be extra for this book.

23,5 cm x 28 cm. Frontispiece, 190 pages with illustrations throughout. Original Softcover. Excellent condition with only minor signs of wear. Includes for example: Being-in-Production: The Constructivist Code / Plates / His and Her Constructivism / Commentary on Drawings / The Line etc. Aleksander Mikhailovich Rodchenko (5 December [O.S. 23 November] 1891 December 3, 1956) was a Russian artist, sculptor, photographer and graphic designer. He was one of the founders of constructivism and Russian design; he was married to the artist Varvara Stepanova. Rodchenko was one of the most versatile Constructivist and Productivist artists to emerge after the Russian Revolution. He worked as a painter and graphic designer before turning to photomontage and photography. His photography was socially engaged, formally innovative, and opposed to a painterly aesthetic. Concerned with the need for analytical-documentary photo series, he often shot his subjects from odd anglesusually high above or down belowto shock the viewer and to postpone recognition. He wrote: "One has to take several different shots of a subject, from different points of view and in different situations, as if one examined it in the round rather than looked through the same key-hole again and again." (Wikipedia) Lyubov Sergeyevna Popova (April 24, 1889 May 25, 1924) was a Russian avant-garde artist (Cubist, Suprematist and Constructivist), painter and designer. Popova was born in Ivanovskoe, near Moscow, to the wealthy family of Sergei Maximovich Popov, a very successful textile merchant and vigorous patron of the arts, and Lyubov Vasilievna Zubova, who came from a highly cultured family. Lyubov Sergeyevna had two brothers and a sister: Sergei was the eldest, then Lyubov, Pavel and Olga. Pavel became a philosopher and the guardian of his sister's artistic legacy. She grew up with a strong interest in art, especially Italian Renaissance painting. At eleven years old she began formal art lessons at home; she was first enrolled in Yaltinskaia's Women's Gymnasium, then in Arseneva's Gymnasium in Moscow. By the age of 18 she was studying with Stanislav Zhukovsky, and in 1908 entered the private studios of Konstantin Yuon and Ivan Dudin. In 1912 to 1913, she began attending the studios of the Cubist painters Henri Le Fauconnier and Jean Metzinger. As early as 1917 in parallel with her Suprematist work, she had made fabric designs and worked on Agitprop books and posters, In the Tenth State Exhibition: Non Objective Creativity and Suprematism, 1918, she contributed the architectonic series of paintings. She continued painting advanced abstract works until 1921. In the 5 x 5 Exhibition of 1921, Popova and her four fellow Constructivists declared that easel painting was to be abandoned and all creative work was to be for the people and the making of the new society. Popova worked in a broad range of mediums and disciplines, including painting, relief, works on paper, and designs for the theater, textiles, and typography. Popova did not join the Working Group of Constructivists when it was set up in Moscow in March 1921, but joined by the end of 1921. In 1923 she began creating designs for fabric to be manufactured by the First State Textile Printing Works in Moscow. From 1921 to 1924 Popova became entirely involved in Constructivist projects, sometimes in collaboration with Varvara Stepanova, the architect Alexander Vesnin and Alexander Rodchenko. She produced stage designs: Vsevolod Meyerhold's production of Fernand Crommelynck's The Magnanimous Cuckold, 1922; her Spatial Force Constructions were used as the basis of her art teaching theory at Vkhutemas. She designed typography of books, production art and textiles, and contributed designs for dresses to LEF. She worked briefly in the Cotton Printing Factory in Moscow with Varvara Stepanova. (Wikipedia) Sprache: english.

Condición: Good. 4to. 115+ pp. Hard Cover. Dust Jacket. Black and white photographs throughout. Very Good, minor rubs to covers.*Heavy book, shipping may cost extra.

Condición: Very good.