VECELLIO, TIZIANO TITIAN (22 resultados)

Hard Cover. Condición: Good to Very Good. Titian, Tiziano Vecellio Ilustrador. No Additional Printings Stated. 8vo. xxviii. pgs followed by 64 full page plates in black and white. Good condition hardcover, no publication date [circa 1900-1910]. A volume in Newne's Art Library. Cloth spine with gilt lettering, decorated front board. Moderate general soiling and wear externally, internally clean, sound and unmarked. Frontis of Charles V on the Morning of the Battle of Muhlberg, with some foxing along margins. Following an extensive introduction by Henry Miles, a List of the Principal Works of Tiziano Vecellio is provided, each work indexed according to country and museum or gallery. A List of Illustrations precedes the section composed of full page plates from black and white photographs. #1265. Size: 8vo - 7¾" - 9¾" Tall.

DVD BOX. Condición: As New. First Thus. Series Wielka Kolekcja Slawnych Malarzy # 4. Book.

Condición: Good. 1923. Reprint. 70 pages. No dust jacket. Red cloth with gilt lettering. B&W illustrations throughout. Clean pages. Notable tanning to endpapers and page edges. Mild wear and bumping to spine, board edges and corners, with crushing to spine ends. Notable sunning to spine, with minor scuffing and marking to boards.

Condición: Good. VENICE. Mason-Painter-Glass-worker-Printers. Accademia-dead Christ-Titian 1930. Photographic book plate; Tiziano Vecellio (Titian) (1930). 11.5 x 11.5cm, 4.5 x 4.5 inches. Condition: Good. There is nothing printed on the reverse side, which is plain.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: Good. VENICE. St Jerome, Desert-Titian 1880 old antique vintage print picture. Antique wood engraving; Engraved by Domincus; drawn on wood by Titian; engraved by Dalle Grecche (1880). 16.5 x 24.0cm, 6.5 x 9.25 inches. Condition: Good. There is nothing printed on the reverse side, which is plain.

First edition in publisher's original colour illustrated laminated card wrap covers [softback], black lettering to the spine. 8vo 7'' x 4½''. Contains 90 printed pages with colour and monochrome paintings and illustrations. Age darkening to page and cover edges. In Very Good condition, no dust wrapper as published. Member of the P.B.F.A. ART [Italian].

Condición: Good. LIONS. Milo of Crotona-Titian 1880 old antique vintage print picture. Antique wood engraving; Engraved by Nicolo Boldrini; drawn on wood by Titian (1880). 16.5 x 24.0cm, 6.5 x 9.25 inches. Condition: Good. There is nothing printed on the reverse side, which is plain.

First edition hard back binding in publisher's original black paper covered boards, gilt title and author lettering to the spine. 8vo. 9½'' x 6¼''. Contains 304 printed pages of text with colour illustrations to the centre. Fine condition book in Fine condition dust wrapper, not price clipped. Dust wrapper supplied in archive acetate film protection, it does not adhere to the book or to the dust wrapper. Member of the P.B.F.A. ISBN 9780747591894 ART [Italian].

No Binding. Condición: Very Good. Engraved By Cooke Ilustrador. A fine original copper engraved portrait. Mounted and ready to frame. A splended opportunity to purchase a portrait of this eminent personage. One of the greatest of the late venetian painters.

Condición: Good. VENICE. Doge Francesco Donato, Tutelary St-Titian 1880 old antique print. Antique wood engraving; Engraved by Boldrini; drawn on wood by Titian (1880). 13.0 x 24.5cm, 5.25 x 9.5 inches. Condition: Good. There are images and/or text printed on the reverse side of the picture. In some cases this may be visible on the picture itself or around the margin of the picture.

Condición: Good. A MUSIC PARTY. Titian (Titian) 1835 old antique vintage print picture. Antique print; from the original picture by Titian in the National Gallery; T. Garner (1835). 13.0 x 17.0cm, 5 x 6.75 inches. Condition: Good. Spot in margin. There is nothing printed on the reverse side, which is plain.

Trade Paperback. Condición: Very Good. Trade Paperback -- Very Good -- SHIPPING ONLY IN U.S. AND BY MEDIA MAIL ONLY -- Other than small repair to spine, book and prints show lightest wear -- 16 Beautiful Color Prints --.

Condición: Good. 6 SAINTS. Seb, Frank, Tony, Pete, Nick, Kath-Titian 1880 old antique print. Antique wood engraving; Engraved on wood by Nicolo Boldrini, from a design of Titian (1880). 17.0 x 24.0cm, 6.75 x 9.25 inches. Condition: Good. There is nothing printed on the reverse side, which is plain.

No Binding. Condición: Very Good. Engraved By G.Cooke Ilustrador. A splendid portrait, mounted and ready to frame. ca 1805. A wonderful oportunity to purchase this fine portrait. From an original painting by Titian who was one of the greatest of the Venetian painters.

No Binding. Condición: Very Good. A fine engraved antique portrait. Mounted and ready to frame. Decorative, attractive and unusual. A splendid opportunity to purchase an antique engraved portrait.

Condición: Fine. Number of books£º1.

Soft cover. Condición: Fine. Number of books?1.

Condición: Good. Gravure on satin. 37 x 42 cm. After the original 1550 painting. Latin "Thaenus, Aequs, Caes" reproduced in the plate. On one piece, paper label pasted right edge; numbered 504.

Condición: Fine. Number of books£º1.

Uncolored woodcut, 2 sheets joined (First Edition). Printed on paper with watermark. Sheet size: 19" x 29" This swirling, vibrant and extremely rare Italian woodcut represents the decisive Battle of Lepanto. This is the first state of Christophoro Chrieger's outstanding work of which less than five examples are known. The watermark is of a shield with a unicorn. Chrieger, one of the most remarkable woodcut artists of his day who worked in the artistic capital of the world, Venice, was born in present-day Germany and died in 1590. He left behind an impressive oeuvre, including not only this woodcut but the many he contributed to Cesare Vecellio's La favorite del Turco ("The Sultan's Favorite"), one of the most famous early printed costume books covering the costumes of Europe and Ottoman Turkey. The landmark confrontation at Lepanto, fought on October 5, 1571, was waged between the Ottomans and members of the Christian Holy League. The Holy League's forces were made up of soldiers and equipment from the Republic of Venice, the Papacy (under Pope Pius V), Spain (including Naples, Sicily and Sardinia), the Republic of Genoa, the Duchy of Savoy, the Knights Hospitaller and others. In the end the Holy League soundly defeated the Ottomans' navy, thus ending the Ottomans' dreams of supremacy over the Mediterranean. The forces of the Ottomans and Holy League suffered heavy casualties during the Battle of Lepanto as this documentary woodcut amply demonstrates. The Holy League under the command of Don Juan of Austria fought with 206 galleys, 6 galleasses, and 1,815 guns at Lepanto, a strait between the gulfs of Pátrai and Corinth in Greece. Don Juan, titular head of the Holy League, was the illegitimate son of Emperor Charles V and half-brother of King Philip II of Spain. He divided the forces of the Holy League into four divisions, with the Venetians under Agostino Barbarigo on the left, himself in the center, the Genoese under Giovanni Andrea Dorea on the right, and a reserve led by Álvaro de Bazán in the rear. Ultimately, the Holy League lost 12 galleys and suffered 8,000 dead and wounded soldiers.(Don Quixote novelist Miguel de Cervantes was one of those injured.) The Ottomans fought under Ali Pasha and commanded 230 galleys, 56 galliots and 750 guns. In contrast to the Holy League, they lost 15,000 men to death or injury. In addition, 137 of their ships were captured and 50 of them sunk. Ten-thousand of the Ottomans' Christian galley slaves were also liberated by the Holy League. Lepanto was the last major naval battle fought solely between rowing vessels. Lepanto constituted the first significant Ottoman defeat at the hands of Christian powers, and it all but ended the myth of Ottoman naval impregnability. Yet it did not impact Ottoman dominance on the land as a new Turkish fleet was quickly assembled by Sokolu, grand vizier of Selim II. Nevertheless, as historian Paul K. Davis commented, the Ottoman defeat at Lepanto "stopped Turkey's expansion into the Mediterranean, thus maintaining western dominance." Several Western historians believe that Lepanto was the most critical naval battle to occur anywhere on the globe since the Battle of Actium of 31 B.C. Due to its extreme historical significance, the Battle of Lepanto inspired a wealth of powerful art, including Chrieger's work. Two pictorial representations of the battle are housed in the Doge's palace in Venice. The first, in Sala del Collegio, was executed by Paolo Veronese. The second, on the walls of the Sala dello Scrutinio, was produced by Andrea Vicentino. The second of these two works replaced Tintoretto's earlier Victory of Lepanto, which was destroyed by fire in 1577. The dynamic woodcut offered here contains a wealth of pictorial and textual detail and was based on a drawing by the greatest painter of the Venetian School: Tiziano Vecellio (b. 1490, Pieve di Cadore, d. 1576, Venice). In addition to crafting this drawing, he also painted the Allegory of the Battle of.

Jesus Christ sitting on the globe placed in a car drawn by Bishops, and preceded by a great number of persons, among whom are distinguished Adam and Eve, and the Sybils carrying standards; the disciples of Christ, Martyrs, Saints of both sexes are following; several Latin inscriptions, particularly on the margin above and below. Small and oblong, from left to right. On the verso collector's marks of Collection A.J. Domela Nieuwenhuis (Lugt 356B) and Museum Boymans. l Engraving on paper, trimmed within platemark; reinforced and pasted on thicker paper; total: 75 x 382 mm; state I/2; Hollstein/Wurzbach 6.