DEL LAGRACE VOLCANO (31 resultados)

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condición: New.

Buch. Condición: Neu. Neuware -Del La Grace Volcano ist ein Vorreiter der Intersexuellen-Bewegung. Die Bilder in diesem Buch rebellieren auf eindringliche Weise gegen binõre Zwangskonzepte - seien es die vom 'Mõnnlichen' oder 'Weiblichen', 'Sch÷nen' oder 'Hõsslichen' etc. Vom 'femininen' Prinzip' ber die 'Lesbian boyz' , ber 'Tranz Portraits' zu intensiven erotischen Inszenierungen im pansexuellen Kosmos. '.diese Arbeiten gehÜren zu den aufschlussreichsten und gleichzeitig zu den sexuell deutlichsten Bildern der zeitgen÷ssischen Fotografie. Das einzige Fotobuch zum Thema Intersexualitõt in Deutschland.'K÷rper verwandeln sich immer. Im Laufe des Lebens durch Alter, durch Unfõlle oder Operationen. Auch diesen Verwandlungen geht Del LaGrace in subtilen Bildern nach. Die Verwandlung von einem eher weiblichen zu einem eher mõnnlichen Wesen, das Zulassen der intersexuellen Aspekte eines Menschen ist ein wichtiges Thema im Buch ber die sublimen Verwandlungen.

Buch. Condición: Neu. Neuware - Del LaGrace Volcano broke onto the forefront of the queer avantgarde scene with the publication of Love Bites. Now, he goes one step further with Sublime Mutations, a unique and groundbreaking collection of work exploring new territory in the aesthetics of transgender studies and providing a crucial addition to the scant material available.

4°. 190 S. mit zahlreichen fotografischen Abb. in Farbe und Duoton. Illustr. Orig.-Pappband mit illustr. Orig.-Umschlag mit Front- und Rückentitel. Erste Ausgabe. "'Sublime Mutations' erkunden die sinnlichen und sexuellen Möglichkeiten changierender Identitäten und Körper in einer noch nie gesehenen Intensität" (Verlagstext/Einband). Umschlag an hinterer Oberkante mit Knickspur, sonst sehr gutes Exemplar.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.9.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Encuadernación de tapa blanda. Condición: Muy Bien. Del LaGrace Volcano, Itziar Ziga Glamur i resistència Barcelona, El Tangram, 2011. Rústica con solapas. 12x18 cm. 103pp. Libro en catalán. Muy buen estado.

Condición: VeryGood. Wraps are firm, text block clean, no highlights/underlining or markings. Some rubbing/curling to wraps. Very clean, nearly like new. Well packaged and promptly shipped from California. Partnered with Friends of the Library since 2010.

Hardbound. Tan cloth/boards with white lettering. Approx [50] pp. with 20 large color plates, 1 folding. No dust jacket. Catalogue from the first solo exhibition for this English artist in the US, held October to December 1999. Saville carries on the tradition of Lucien Freud, and the vivid, large color plates in this scarce catalogue show her works in overall format as well as in fine detail. General text by Barry Martin Weintraub; essay by Del LaGrace Volcano; and an interview with Saville by Martin Gayford. Includes an artist's biography, list of plates, and more. VG. Some soiling to cover, but contents are clean and tight.

Text dt.-engl. Mit zahlreichen ganzseitigen Abbildungen. 159 SS. Quart. Illustr. Orig.-Karton. Sehr gut erhaltenes Exemplar.

First edition. Hardcover. Exhibition catalog for a show that ran October 2 through December 18, 1999. Essay by Del LaGrace Volcano and with an interview by Martin Gayford. Includes a number of color images. A near fine copy in cloth boards with a couple of faint spots to the front cover. No dust jacket as issued.

Pictorial Wrappers. Condición: Near Fine. First Edition. 48pp, 28 color illustrations. Designed by North. Studio photographs by Glen Luchford. With an exhibition checklist, chronology, exhibition history and bibliography. In a protective clear acetate dustwrapper. This is the elegant catalogue produced in conjunction with the 1999 Gagosian Gallery New York exhibition of works by British enfant-terrible Jenny Saville; her first one-person U.S. show. Each of the five large-scale figurative works shown are reproduced along with numerous corpulent details. It also contains a survey of fourteen earlier pieces executed between 1992 and 1997, and an interview with Saville by Martin Gayford. A handsome example of the 1999 Gagosian first softbound edition showing a tiny dent at the upper foredge corner. It has been priced accordingly. Artist Monograph.

Linen Over Boards. Condición: Fine. First Edition. 48pp, 28 color illustrations. Designed by North. Studio photographs by Glen Luchford. With an exhibition checklist, chronology, exhibition history and bibliography. This is the elegant hardbound catalogue produced in conjunction with the first American one-person exhibition of works by British enfant-terrible Jenny Saville held at Gagosian Gallery New York in 1999. Each of the five large-scale figurative works shown are reproduced along with numerous corpulent details. It also contains a survey of fourteen earlier pieces executed between 1992 and 1997, along with an interview with Saville by Martin Gayford. A most handsome example of the uncommon hardbound edition. Artist Monograph.

Hardcover. Condición: New. 1st Edition. First edition, first printing. Hardcover. Beige linen cloth-covered boards with title stamped in white on cover and spine; no dust jacket as issued. Paintings by Jenny Saville. Interview with the artist by Martin Gayford. Essay by Del LaGrace Volcano. Text by Barry Martin Weintraub. Studio photographs by Glen Luchford. Includes a list of plates, a biography and an exhibition history. Designed by North. Unpaginated (48 pp., including one 2-page gatefold), with 26 four-color plates (including numerous enlarged details of the paintings), finely printed in England by Colourhouse. 13-1/2 x 9-7/8 inches. Published on the occasion of the 1999 exhibition Jenny Saville: Territories at the Gagosian Gallery, New York. New. A mint copy. From the publisher: "Saville has been recognized as one of the most thought-provoking and technically accomplished talents of her generation. In this long awaited exhibition [her first solo show], the distinctive nature of Saville's giant, fleshy nudes is both surprising and provocative; virtuoso nudes, reminiscent of the old masters', yet employed to question societal obsession with an idealized, almost robotic, image of the female form. By portraying these 'images of extreme humanness' that are so out of place in an anxious culture obsessed with eternal youth and beauty, Saville confronts the very essence of what it means to have an active mind in a decaying, dying body. Characteristic of Saville's work, her paint becomes flesh as it evokes the feel and touch of the body, its smell and material presence. Her gargantuan figures are freed from the conventions of feminine delicacy. They cascade across the canvas and into the viewer's physical space. The vast images of corpulent bodies are deliberately ambiguous as the paintings impose themselves on the viewer and surround the body that is looking at them. The viewer cannot escape the implications of their physical being. Jenny Saville calls herself 'a scavenger of images,' she normally prefers to work from photographs rather than living models. In her studio she likes to be surrounded by images; her figures are usually composites of several bodies. It is interesting to note that Saville once worked in a plastic surgeon's office in New York and frequently visits a London medical museum as member of a pathology group. She shares with Francis Bacon a fascination for collecting pictures found in old medical journals of bruises, scars, gun shot wounds, pictures of deformities, and traces of disease which leave inscriptions on a body over time, like a memory, or a mark on a canvas.".