An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap.; 283 pages; Physical description: 45, [238] p. : ill., (chiefly col.) ; 28 cm. Published to accompany an exhibition of the same name held at Vitra Design Museum, Berlin, 14 June-15 Sept., 2002. Summary: The dazzling Collection Art de Cartier will once again amaze the public with their impressive pieces this time seen through the revolutionary eyes of the master of Italian design, Ettore Sottsass. He presents the Collection Art de Cartier in a brilliant new manner, viewing the collection as a reflection of form and design, while understanding its function and relation with the surrounding space and the bodies it adorns. For this impressive project the designer has selected over 350 jewels, watches and accessories following his personal and intuitive taste forgoing epochs and fashion trends, and creates and highlights the ties amongst the materials, style and colour. To emphasize his vision, for each piece Sottsass created a decorative element meant to contain the object as a shrine located in a cosmic space. Subjects: Jewelry - France - History - 20th century - Exhibitions. Decorative arts - Design - France - 19th century - Exhibitions. Notes: Pages 46-283 are unnumbered. Includes bibliographical references (p. [280-281]).
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The original designs are not displayed, but are featured in the scenography as huge photographic enlargements that, for Ettore Sottass, conjure up the "idea" or "thought:" behind the object. Nevertheless, he felt it was important that the catalogue reflect the jeweler's graphic world. this book contains a selection of designs chosen in synergy with the layout of the exhibition. The combination of actual-size reproductions with enlargements makes it possible to see the act of creation, circumscribed by the ratio of I and the correct proportions it generates, in close relation to the graphic or pictorial technique, which monumentalizes the object or piece of jewelry - thereby mirroring Ettore Sottass' architectural vision. The pieces chosen showcase production drawings that illustrate the unique relationship between design and material. All designs reproduced here are from the Cartier Paris Archives.
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