Women Musicians of Venice: Musical Foundations, 1525-1855 (Oxford Monographs on Music) - Tapa dura

Sinopsis

This volume is an introductory, contextual study of three centuries of musical activity at the four main eleemosynary foundations of the former Republic of Venice, the ospedali grandi. The author provides an account of the institutional, social, religious, and civic dimensions of these welfare complexes, with particular reference to their musical subsidiaries, or "cori". Involving over 300 external professional male composers and music teachers and over 800 internal professional women musicians, the history of the cori also incorporates a vast repertory of 4,000 original works - sacred and secular, vocal and instrumental, solo and choral - little known today, but recognized as key elements in the historical evolution of musical genres. Responsible for this phenomenon through their association with the ospedali and the figlie del coro were such figures as Lotti, Legrenzi, Vivaldi, Hasse, Galuppi and Cimarosa. It is their relationship to the ospedali and the concert series in the churches and music salons annexed to them that Dr Berdes explores. In the process she proves the significance of the cori as reflectors of a range of cross-disciplinary scholarship from the history of art and architecture to the history of culture and social policy, as well as medical care and aspects of women's, children's and Venetian studies.

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